Out The Middle Of The Three Legendary "theory

"the Three Dramas" with the same political theme which appeared in the middle of Ming dynasty broke the dull playdom in the forepart of Ming dynasty. It displayed the loyal and the treacherous court officials lived at dggers drawn, and the authors's royalism . "the Three Dramas " reflected the clerisy's mentality who depended on the power of "Tao" to revolt kakistocracy, directed away from the center of the emperor, and affirmed and exceeded the hominine natural desires. In the early days of Chuanqi(one of the dramas) , "the Three Dramas" stood on the apex of the artistic spirit.On the structure of drama, "the Three Dramas" constructed the unique political circumstance, and built three kinds of the image of loyal court officials, which were sapiential, knighely, spirited regardless of his own safety. It made use of the dule structure firstly, "the Three Dramas" used mainly "Nanqu"(southern tune). Sometimes "Beiqu "(northern tune) appeared in it. It proved that the Zaju in Yuan dynasty affected the Chuanqi on music. Huanshaji , one of "the Three dramas ",was the symbol of the success of the innovation of Kunqu, and promoted the development of dramaturgic form to some extent.