Magnificent Write The Spring And Autumn

Huang Zhou, the remarkable Chinese figure painter and art activist after liberation, whose art of graphics merges the east and the west, displaying actual life as the main content all the time, especially in displaying the life and local customs of the ethnic minority of border area. Skillfully he applied the traditional method of Chinese painting in depicting real life and created a unique method by combining the freehand brush of splashed ink and the meticulous brushwork of bright colors. Characterized by bold brushwork, an imposing atmosphere, the depiction of a wild range of subjects, novel techniques, a rich breath of life and sense of time, his painting have heralded a new style of Chinese painting. He was good at "literary sketch picturesque " and at producing works of images of a group of characters, and because of these he pained a high fame as far as in the mid 1950s. Then Huang Zhou began to devote to study traditional theory and the law of painting techniques, drawing essence from it, using macro method. Relying on his innate vigor, as well as with the unique artistic way and diligence, he took a way of reality in the creation of Chinese figure painting and animal painting. He may be said one of the unique painter in modern history of painting, influencing far reachingly.This thesis displays the formation of the artistic style, the characteristic and its influence of Huang Zhou's water ink figure paintings by classifying and analyzing the data and appreciating his works in different periods. The thesis also discusses the achievement he made in water ink figure painting and the theoretical enlightenment of the prosperity and development of Chinese paintings in modern times.Parts one is about the preparatory stage, summing up Huang Zhou's artistic experience and learning stage. In this part, the researcher analyzes the artistic feature and the content of his topics and indicates his concept of critical realism.The second part is about his two peaks on the creation of art. Combining the analyze of his main important works, the researcher compares and put in order the artistic style, language characteristic and conception of Huang Zhou's water inkpaintings in different periods.Part three tells the distinct artistic characteristic from the content of the subject matter, artistic intention, the form and the skill, and it also illustrates his great achievement after he changed from criticising reality to embrace the new times, and extol the new life. Thus, the thesis exposes the vigor of the realistic creation principle, which established Huang Zhou's status of in modern water ink figure painting history. In addition his talent and bold makings cannot be overlooked.