| Painting based on Huang Zhou with his years of unremittingly sketch training, combined with the China ancient "nature outside, in the heart of the source" aesthetic philosophy. In Huang Zhou’s opinion, the only way of artistic creation and not prolific artistic achievements made. He repeated exploration between sketch and painting, he put the perspective on the relationship between China traditional painting and Western painting together. Huang Zhou in the composition, good at drawing large scene creation; in the color, he a bold use of color, bright color; in the performance of methods, his long-term use sketch creation; work the implication, is more prominent in the charm of the ink on the. Meadows and pastures, livestock and poultry is Huang Zhou often took the sketchpad sketch place. He drew a lot of livestock and poultry, but his main achievement is shaping the image of the characters, the life of the animal, who now singing, now dancing man, he is an optimist, he is particularly interested in material life, he always put the sketch and painting together to enjoy. Although Huang Zhou’s repeated use of the genre, but he often change the composition, change the work form details. The only way to realize the prolific artistic achievement is not art, technology achievement depends on the painting techniques, artistic achievement is depends on what to paint "," according to different aesthetic consciousness, depends on the author’s thoughts and feelings and minority in the harmonious coexistence of thoughts and feelings. Ink Fenpi, such as with the wind and rain, there are a lot of repetition and random effect, produce moving charm, this is a successful conversion technique of expression between ink painting and sketching, formed its own unique artistic style of painting in the creative practice, he got China painting on professional recognition, affect a number of group of scholars in the art field, he is a bright star. |
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