Through the research about the writing background of two tenor aria in "La Traviata", opera master Verdi's works, this thesis sums up the art features of this opera, which had huge structure, and reached high artistic attainments in shaping and psychological oppression figures.Music patterns analysis and complex study law are used in this thesis, and morphology music, opera aesthetic, music analysis studies, drama aesthetic, social science disciplines of history are involved to analyze how did Verdi use drama and music means to shape the tragic figure of Alfrad.There are three parts in this thesis, first, deeply understanding the various music figures in this opera through analyzing the background of this work; second, focusing on using analytical tools to study tenor aria in the opera; third, providing the reference of singing and teaching of this figure through the research of the tenor aria in this opera. |