Han Ode "nine Body Works

In Chinese history of ancient literary style , named a literarystyle after its number, in addition to "seven" type, there is also "nine" type. But, "nine" type didn't get the value of ancient literary theorist, it always cannot be acknowledged but "seven" type. However, now there are many scholars that name it, they think "nine" typecan also become a type independently; And there is "nine" type ina few dictionaries and works. Thus, this paper mainly studys TwoHans "nine" type and its works , inquires into its course of development, property and descriptive way completely, include some problems about form and contents.The paper' s method , made sure a practical and realistic prin ciple firstly, be in the light of the attitude that the penny material says penny words, draws a conclusion from the possibly solid evide nces; Concretely adopts two paths, namely exterior research and inn er-part study, they are closely combined, mutually complemented, a nd internal research, namely, research of text itself is central. In ad dition, inductive method of literature and the analysis of material ar e also basic methods.The "nine" type works of Han Dynasty inherited Chu-sao ' s li terature tradition, in the formality it expanded and developed lately.It showed Chu-sao strong vitality not only, and constituted importa nt contents of Han Dynasty Chu-ci, also profoundly influenced on t he Han Dynasty Ci-fu and the posterior Ci-fu. And there were abu ndant materials about Qu-Yuan and precious literary theories, it canrecognize Qu-Yuan, and repair a few omissions. Again in the aspe ct of literary style value, Jiu-huai, Jiu-tan and Jiu-si, they imitated Qu-Song ' s works, included recognizing the literary style norm, tha t is to say they have consciousness about explicit literary style tabl e. The consciousness that literary style table was aware of self fast ening to confirm, deeply influenced the successors of "nine" type r ows.Chapter 1 《introduction》 , mainly elaborates the meaning and value of "nine type" works, and introduces the general situation of researching "nine type" works of Two Hans in every dynasty.Chapter 2 talks about the course of development, defining TwoHans "nine type" firstly, numbering the representative's "nine type"works; Immediately, pointing to Two Hans "nine type" works inhe rit and develop Xian-Qin "nine type" works, carrying on detailed argument and the analysis; End, studying the reason that Two HansCi-fu "nine type" works were more rarely seen and the creativity of "nine type" works didn't stop after producing.Chapter 3 mainly studys the works, inquires into reasons why Two Hans "nine type" works be selected Chu-ci ; after carrying on detailed analysis and argument, draws a conclusion that the propert y of Two Hans "San-jiu" is " feeling after reading "; Section 3, di scusses Han Dynasty "San-jiu" whether it is "dai-yan" type, clarifie s some misty ideas of contemporaries; Compares the differences an d similarities among Two Hans "San-jiu" finally.Chapter 4, mainly combs the material of literary theory in Liu-xiang 《jiu-tan》 and connection between Wang-yi' s 《jiu-si》 and his 《 Chu-ci Explanation》 .Chapter 5 talks about remaining, inquires into the problem ling ering around author's mind over a long time, namely, why 《selected works》 only select "seven type" and don ' t categorize "nine" typ e, and gets own viewpoint from two aspects.