China Is Now The Contemporary Ink Painting Abstract Discussion

This paper circumfuses the dialectical relations of"Instrument"and"Method", referring to traditional Chinese painting. This paper elaborates and analyzes the phenomenon, which is the contemporaneity transforming of ink and wash painting's abstractness drawing language. From the angle of different culture between Chinese and western countries, according tothe historical linking relations of tradition,modern times,contemporary age and present age, it expounded the Chinese ink and wash painting's abstractness aesthetic origin and its evolution and development course .On the bases of the author's ink and wash practice, this paper studies,analyzes and explores how to make own cultural and choose esthetically during the process of dashing,infiltrating and mixing. Consequently, we can obtain the health and lasting development in path of the world art fusion.This paper mainly elaborates from following four major parts:Part one: The introduction of traditional Chinese painting abstractness history origin: the philosophy Lao-Zhuang thought in China ancient times has established the traditional Chinese painting abstractness philosophy foundation, so China has abstractness thought differentiations of"image"and"essence"since the ancient times .But the Chinese drawing from the outset to the writing brush and the ink material quality choice, has indicated the abstractness element necessity of traditional Chinese painting drawing language.Part two: The expounding of Chinese ink and wash painting abstractness evolution and development: on account of Western culture dashing and own survival development demand, the abstractness factor of Chinese ink and wash painting is evolving in the times. The contemporary ink and wash painting displaying two kinds of abstractness shape is the necessity of historical development: Image shape abstract of ink and wash painting is traditional philosophy esthetics and the scheme fusion of Western drawing; pure abstract shape imagine ink and wash painting is overall embezzlement to the West.Part three:The individual ingathering from ink and wash painting creation :the author draw the conclusion from the language form exploration research ink and wash portrait painting during the graduate student period : The contemporary water ink language shape transformation is the necessity of Chinese ink and wash painting's development, the fusion of China and the West will not have a bad impact on the national culture and spiritual embodiment the key is that we must grasp the ink andwash image relates dialectically, referring to"Instrument"and"Method","Image"and"Essence"...