Sense Of Suffering In The New Era Of Aesthetic Culture

Suffering consciousness is an important component of the life sense, which focuses on people's living conditions, the life attitude , the life feelings and other issues. The theme of the suffering written in the Aesthetic culture of the New Era with the changing times, focusing on different senses, the suffering consciousness of creators also have distinct features. Previous studies generally focused on the case analysis, and mostly standed on the affirmative position; the systematic overview and analysis of the limitations were less, or not thorough enough. This paper seeks to stand on the basis of previous studies ,to further highlight the rational feature, the life of being and its sentiments through the performances and key analysis of suffering consciousness in the new era'aesthetic culture.The full text is divided into six parts:Chapter 1: The content and aesthetic values of the suffering consciousness .First, analyzing its content and thinking aesthetic values, which can provide a theoretical basis about the theme. Then, discuss suffering consciousness's aesthetic values from three views. It makes artist focus on the existence of people in the reality or the spiritual world in the choice of material; its art performance makes the text heavy , serious, deep, because of the heavy life .In the aesthetic feelings, people also tend to grief emotional experience, and urge to think about life's situation, life's attitude, life's feelings, and other issues.Chapter 2: The end of the 1970 -early 80s, the suffering consciousness after the liberation of humanity. First, sort out the culture relating to the suffering theme in this historical stage: the "sentiment" and "reflection" series, in which We can cut open creators'attitude of choice, emotional reaction and rational level sentiment. In the "sentimental" series, creators talk suffering, allege the Cultural Revolution's crimes, and want to make a frustrated desire psychological compensation in the favorite drama. In the Reflection series, the creators focus on the exploration of the deep historical process, to reflect on the political causes of the catastrophe in contemporary China stage. Second, analyze the creators'suffering consciousness in this period , mostly pointing out its limitations: External talk, external reflection offset the ability of self-memorial; the compensatory psychological obscures the true suffering caused by the reality , system, or the being ,not conducive to a genuine clear and bright social Construction.Chapter 3: In the mid-1980s, the suffering consciousness of the cultural root faction. First, sort out the aesthetic culture relating to the negative factors of the traditional culture, which are related to the nation'backwardness, the region's poverty, the distorted human ,as to glean the causes of the suffering from the cultural understanding. Rationality is clear, we mostly discuss the unreasonable that the authors focus on a display of traditional culture blindly: cultural implications relate to the obstacles encountered in China's modernization process, but is not fundament, and, creators loudly proclaim the nation's negative culture ,which is considered if playing a role for the construction of the national self-confidence. Then, sort out life's traditional wisdom that creators praise, and we can glean their life attitude: Select digestion light, refuse to face up to the weight. Traditional wisdom survival is reasonable and practical, but to compliment Laozhuang's spirit, it is inevitable to get into a self deceiving; blindly agree with the spirit of the Confucianism, it is inevitable to abandon the important thinking of LuXun's resources - the exposure of the humanity's cannibalism nature and critical spirit.Chapter 4: Suffering consciousness in the influence of the modern trend. First, sort out the vanguard aesthetic culture about survival of lives influenced by modern art forms, in which we glean the creators'calm and cruel attitude from the scene description of unfortunate disaster. Analyze its depth using this narrative attitude for human's survival, but it does not mean that creators can therefore discard moral judgement, indifferent to the bloody, violent scenes, which is contrary to the essence of care . Secondly, sort out the aesthetic culture relating to the modern Western concept of philosophy .China's modern expression of those who have the spirit suffering and interference is profound, but it also should be noted that, due to the local values and philosophy impact, no matter how they express the sufferings of being, it is always settled in the soil of history and reality, and can not be like the West who are truly modern and up to a metaphysical existence of the high degree to express the endogenous pain.Chapter 5: Suffering consciousness in the influence of Post-modern trend. Postmodernism's basic feature is deconstruction and rave. First, sort out the new realism's novels having deconstruction characteristics. It seeks to describe the grey living and spirit about "the little guy" in the two basic material "food" and "live" .It is understandable that creators display material suffering , but if it is blindly rollout, rendering, and enlarge on the stage, it is considerable about creators'reaction, and even a nation's quality in the face of the basic problems .Moreover, with the further development of the commodity economy, Chinese society has entered a new historical turning point, aesthetic culture has the features of consumer, games, carnival. The intellectuals more or less put on the middle class's temperament and features ,which make them obscure many real life and social issues; artistic creators also express the neglect of others suffering, not will to find or not to address the suffering around, so they generally forget one of the creators'sympathizing sentiments. It is undeniable to pursuit the spirit's game, the need for a happy life, but it does not mean that they can dispose of a caring spirit. However, it is not absolute, in the cultural reality of this time, there still remain such aesthetic culture which artists keep calm mind, select "alerted the public" to the bottom of the survival situation. Creators walk in the community, special areas and survival zone, provide a true spiritual life of specimens, and they stand under the dumping, with the narrative attitude of equality, display a compassionate, compassion, respect sentiments for the lives of the unfortunate lives.More discussion: Suffering consciousness in the working field .Display mostly the aesthetic culture of the arts "wage to write" concerned currently. Under the background of the reform, opening and the market economy , mainly in Dong guan, the Pearl River Delta and other areas, millions of migrant workers come there, who are heavy in hard work, using their own brushes paint a picture of the soul and individual survival of the situation to ponder. Employees'special status, special lifestyle make their creativity with a strong sense of reality and authenticity. With the words, they display individual living conditions ,life experience, individual expression of many uncivilized, not human nature, and unreasonable facts under modern industrial civilization .the text has walked out such means of expression as simple "pouring suffering" ,blindly "closing to suffering", which provide a personal example for the building of a harmonious civil society ,and have certain depth and practical significance.