The Origin Of Poetry In The Road - Habitat Was Born "-"

There have many researches on Heidegger's poetics, every researcher begin their researches about Heidegger's points on essence of phylosophy and art,poet,language from various aspects of their understandings and illustratings, and have attained different results.Seiend'inter-sein appears, which we name it inter-Gegend. Inter-Gegend which we call"inter-Ereignis"is the way appearing uni-Gegend,as"separating"for"not seperating"and is the way to uni-Ereignis.It is also the way of thinking and speaking about sein from the viewpoint of Heidegger. The appearing of Gegend diect the poetic shift of phylosophy and the languistic shift of it. Then , Heidegger began his further research of the inter-forming of Gegend ,as the way of uni-sein. Heidegger assumed that the thinking ultimate question must depend the appearing of Gegend , not reasoning. But it is attained by him from his early formale Anzeige (Gegend Anzeige) that the form have to attain its denotation through the actual Gegend moving .So, he use the mode of inter-happening of closing and disclosing to think truth.The illustrating of truth resulting its"inter-".That is to say, the thinking truth must from"inter-". The"inter-"is not the meaning of physics and it means the appearing of the entity of being. It also means the respecting of finitism of being , the transcending of finitism and the expecting of poetism. And his tninking of truth and Ereignis is related with the thinking of art,poem and language. So, we need illustrating it simply.Then, the article would illustrate heidgegger's theory on essence about poetics. So,the paper will study from the following points.Firstly, we will introduce his poetics'fundamental basis of philosophy from the aspects of happening background ,sein theme and main thinking way. His whole inter-sein body philosophy has its happening background. This is the shift of"poetism","languistism"",life world",which is also called phylosophial Gegend-shift. In fact, it is the shift to fundamental basis of being ,to"closing", which follows the thinking way of"inter-". Being is one whole body,. So, it needs deleting the separating between subject and object in traditional phylosophy from the"Gegend-"and"inter-"of the way of thinking and speaking.The tragedy is different. Husserl raises out"inter-subject",and others like bakhtih put out"dialogue"theory. Such philosophial background influences Heidegger who thought sein in the world direct or indirect, lightly or heavily. His philosophy theme is"sein"(which shift to"Ereignis", he thought the fore-time sein-thinking must attain its fundamental law from the Ereignis).Being is appearing, but the seiend's sein must be based on the premise of"covering". Sein appears from"covering", and enters into"disclosing". Therefore, the essential sein (sein's sein) is closing, and its essence is"covering". So he said the essence of truth is un-truth."Covering"can be regarded as"gegend", and it can also be explained as"sein entity". But Heidegger shifted to Ereignis later, he thought the sein is finite, and man's existance is also finite. The finite being makes the human being easily"caught"by the facing infinite gegend, then forget the infinite transcending"spiritual field".So, Heidegger thought that sein-thinking and truth-thinking must be disciplined by Ereignis. Ereignis is also the being's whole entity. In order to say unable-to-say being , he put out the theory of sage. Heidegger's Ereignis can actually be called"inter-Ereignis". And because sage is the moving way of Ereignis, and it can not be separated from sein .So, it can be called"inter-Ereignis". Inter-Ereignis is also the"inter-"moving, or it can be called"inter-gegend". The philosophy theme of Heidegger refuses the mental-physics and subjectism based on the separating of subject and object . The mental-physics is based on image-thinking, which makes the man living in the world separates from it and becomes the master of it. So, the man out of his home world be unable to live in a poetic way. But Heidegger's thinking of sein reveals that human existance is not only man's thing as subject , but also the gegend's thing. Human being lives in a certain gegend , and the gegend makes up his structure. So, he is his living gegend. Of course, Heidegger thought the opening gegend needs the moving of"inter-". The theme of Heidegger's philosophy is sein and sein has its gegend- and inter-. The thought is sein's thought and the thought is thinking thought.Naturally, Heidegger's sein-thinking has gegend- and inter-. The gegendism of Heidegger's sein-thinking is expressed in his being interested in art,poem and language. Heidegger's thinking character"inter-"stands out in finite language and words that can be understood as infinite transcending"spiritual field". It breaks out the"being"mental-physics thinking and turns to poetic thinking(the"inter-"thinking between"being"and"not being"."Being"is actually shaped from its inter-acting with"covering", which is the forming of"inter-Ereignis".The main thnking mode of Heidegger is"inter-Ereignis".On the basis of Husserl's phenomenonism, Heidegger forming the method of formale Anzeige, which emphasizes the actual gegend. Despite the formale Anzeige is scarcely seen in his late period ,but the essence and the spirit still exist. He thinks that the meaning of form appears only in actual environments moving. And it needs the anti-rise of two things. So, Heidegger forms the thinking method of"intei-Ereignis",which also can be called"inter-gegend". It cares for the entity of sein ,and have sipiritual field and transcending fiber.The truth being and the Ereignis being are the fundamental philosophy's basis of Heidegger's poetics. In the field of his sein-thinking , thuth-thinking and Ereignis-thinking are also important, which is the core question of sein. Heidegger's poetics is his important parts of forming, which is also the part deepen his sein-thinking. He thought the traditional coherent truth theory was based on the image-thinking based on the mental-physics, which is not the essential theory .The essential truth should be disclosing, and the disclosing is opening(Lichtung).But Heidegger thinks that uncovering rises from covering. The opening state originates from lichtung that happens in the anti-rise between the disclosing and closing. The ereignis is the sein that gives being. The sein-thinking must attain its meaning from ereignis. Ereignis happens as sage that is the Zwiefalt of appearing and disappearing. Sage is the Zwiefalt of ereignis. Ereignis is inter-ereignis , in fact, which is the happening and appearing of the inter-gegend. That is to say, Heidegger's philosophy is the inter-ereignis thought. His theory about the essence of poetry must be illuminated by his thinking of inter-ereignis.Secondly, we would disclose it in the field of art, poetry,and language, and try to disclose it in the scope of his poetry with the style and the thinking way of him. In the part of"on art inter-ereignis"(that is,"on inter-ereignis of the essence of art"),------His thought of the essence of art focuses on the article of"on the origin of art work"------in the part of which, he discourses the inter-ereignis (inter-sein) in the field of the origin of the art work, the being of work entity(between thing and work), the work entomology(work's self-standing and self-appearing, between art and truth),the work creating (between artist and truth), and the work keeping (between the truth and the keeper). Then we will have a clear idea of his inter-ereignis of his poetry.And we would illustrate his main viewpoints :"the essence of art is poetry, and the poetry's essence is the word-building of truth. Being, truth, art, poetry, language and thought are one-whole body to some extent."The article discourses and illustrates the notion following the route of Heidegger's thinking, which put out the core argument"Art is the truth putting itself in the work by itself."And we will analyze the relations between thing ,work, truth, man(including creator and keeper). And we also will illustrate the one whole body in the deep of being truth. Then, we will sum up its feature of notion of art. His thought of art follows the truth.To some extent, the thought of art is the thought of truth, which is regarded the"in-the-work"as its"being world". And the related thing is naturally the happening of"the inter-ereignis of truth"("inter-truth") in the work by the way of"the art inter-ereignis". The finding of the"untruth"of being ("covering"of being ) make Heidegger's discourse of art have the dimension of"earth", then appears the anti-rise dimension between the world and the earth that cause the happening of the truth.Thirdly, in the part of"on inter-ereignis of poetry", the article will illustrate it with its five main sentences from the notion of"inter-ereignis". The five sentences are : 1. The poem creating is the pure and unevil thing; 2. Therefore, the language grasped by man is the most unsafe fortune……man prove his essence by language……3. Man has much feelings. The God has been named from man'beginning talking and hearing. 4.While the poet builds continuous being. 5. Man has exhausting and fortune, while man lives in the earth poeticly. It proves that poetry is the word-building of being truth, and is also the building of inter-ereignis. And we will also discourse"Man lives in the way of poetry , which will disclose that the poetic way of inhabit stemming from the listening to God's sound of the poet and the word-building explaining the nation's sound. In which, we will also touch the connection between the language,poetry,and truth. And we will also emphasize its colour of nation and history. Then we will introduce the direction of modern man's poetic living way and seeking poetic living state with the modern man's living state and the sentence of"Man inhabits poeticly……".Fourly, in the part of"on inter-ereignis of language", the article will illustrate its essence theory on the notion of"being"language from the point of"inter-ereignis". There, we will also touch the connections among the poem, language,and thought. (We have to illustrate the connection among the three in different period of his poetry research circulatly, for there are different"meaning"in different context. This way is often seen in Heidegger's book of"The illustrating of Holderlin".) The essence of language is the essential language, which is sage too. Sage is the action of"inter-", which also can be called"inter-ereignis". Poetry is the neighbour of thought , which is the way of sage; The finding of being"uncovering"make him put emphasis on language's"earth"character; Being can not escape from ,in some sence is"the relations'field". So, Heidegger put emphsis on the"language's character of relation". At the same time, in the discourse of language, we will demonstrate the poetic conclusion of"Language is the homestead of being"from the view of"inter-ereignis"Ontology. In the part, we will also sum up the three's relation: poetry is the neighbour of thought, which is the close entity, and they are the gardener of the"language homestead"."Language is the homestead of being", which opens being and closing being at the same time that forge the speaking way between speaking and unspeaking,which have the character of speaking of monk's theory."The true language is sage", which lies the"inter-"between speaking and unspeaking;"Poetry is the neighbour of thought, and they are all the way of speaking sage",and poetry illuminates the thought of being ,and the thought makes the transcending of the being poetry. The union of two build up the way to listening to ereignis and the"spiritual field"of the poem language. The mysterious moving way of ereignis is sage ,which is the"Swiefalt between appearing and disappearing"(inter-ereignis). Sage is the essential language , and sage act as nahe and appearing,which needs spoke out from unspeaking to speaking by man, which also need poet and thinker. Poet and thinker lie in the inter-field of"speaking"and"unspeaking". Sage turns into language by the way of poem and thinking. So, poetry, language, and thought are one whole body in the sense of Swiefalt, which is the secret of his poetic thinking-----"inter-ereignis",which cannot be illustrated by the metaphysical language and the the thinking and speaking way based on the separating between poetry and thought. Poetry is very related with the language and thought, so, we discourse them together.Then, we will sum up the feeling in the way to Heidegger's poetry research of"inter-ereignis".That is"the circulating discourse of inter-ereignis"between the poetry,language,and thought. Here, we will discourse them in turn.At last, in the ending, the paper will emphsize the metaphor of earth in his poetry essence theory and its gegend feature,and inter-sein etc. Which are different from other philosophist,aestheticist and literature theorist. Then we will talk about its post-mordernism character, and the influence on post-mordern literature theory, especially Derrida, the master of de-structure, and Gadamer,who is Heidegger's pupil, the presentation of mordern hermeneutische.To sum up,the paper's main goal is to illustrate that Heidegger's poetry is the speaking about environment and"inter-"by the way of"inter-ereignis".His thinking is on the way for ever. Thus, we can do something available to Heidegger's genuine thought..From the way of the viewpoint, the paper raises the thought"inter-ereignis".Then ,it begins to illustrate his thought about poetry by the route of Heidegger's main thinking route and the way of selecting his main points that can represent his main points.And, we will illustrate and demonstrate those with the pratices of poet creating..With the studying way of linking the theory and the pratices, theory thinking and the thinking of history environment ,we will illustrate and demonstrate his theory. It demonstrate that Heidegger's thinking core is in the word"inter-ereignis"through the demonstrating of Heidegger's essencial theory of poetry..The study will provide many available points to Heidegger's researcher, then, it will provide many possibilitis to reach the end of Heidegger.This is the value of the paper.