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Chinese Contemporary Oil Painting Figurative Form Of Expression

Posted on:2009-08-03Degree:MasterType:Thesis
Country:ChinaCandidate:Q LuFull Text:PDF
GTID:2205360242494931Subject:Fine Arts
Abstract/Summary:PDF Full Text Request
20th century ,is the enormous challenge century to China, economical backwardness finally cause the lose language in the cultural art. Opium War, brings the huge disaster for China, at the same time, also forces China to start to open the eyes to see the world, in this kind of center western big exchange, under the big collision big linguistic environment, has brought the huge impact in particular for China's traditional art drawing, the friendly and beautiful traditional Chinese painting after has experienced own several millenniums development, starts to explore under the new situation the development outlet, walks starts in the time front artistic philosophers in the center west exchange to explore in accumulates the poor deterioration under the economic environment the traditional Chinese painting development direction. But with practicalizes the transformation traditional Chinese painting most to have the influence in this tidal current.It is well known, the traditional Chinese painting stresses in enjoyably, but the Western oil painting stresses in practical, this does not matter which one is good and which one is bad originally, but was in the economical strong trend has created in the Western oil painting language hegemony, therefore transformed the traditional Chinese painting to become one kind of tidal current practical, but"the academism"became in this tidal current is worthy of the reputation"the cutting edge faction".Practical transform the traditional Chinese painting, base the degree different may divide into this tidal current certain schools. Some footholds in the Chinese tradition, still take the Chinese drawing technique as base, but take the Western drawing technique as end, transformed traditional Chinese painting at the same time also to manifest the West in the artistic exchange. And some draw the traditional Chinese painting directly with the Western picture oil painting's way, caused the Chinese oil painting to lose the direction under the new situation. Therefore,practice in China's present situation becomes the extremely popular topic. The review the 20th century China oil painting's development, lessons learned's at the same time, will provide most importantly for the later artistic creation's in method uses for reference, this was also this topic research and the paper writing motive is.The full text divides into four parts:The first chapter: The understanding of the embodiment expressionism. This part is mainly from the history angle, the broad embodiment the different status as well as demonstrated in the West art development in the different time the characteristic, provides in an esthetics for the Chinese oil painting development's hundred years the background, thus the realism oil painting delimits a reappearance immediately for China the scope: Its essence is in the traditional practical oil painting foundation, favors with the modern age the performance and the abstract art view organic fusion, this kind of fusion including language and idea, theme and technique and so on many aspects.Second chapters: The formation of the"Chinese academism ". "Western impact east gradually " the impact of trend of thought over Chinese is far-reaching, from doing missionary work of west missionary begins, studying the west is that twenty centuries Chinese art develops the most popular subject , "academism " taking form under the trend of thought in this is that twenty centuries pioneer sends the west studying , becomes beyond doubt , the direction introducing the most effective piece of position of west , being Chinese oil painting writing or painting realistically does out effort.Third chapter 1980s China oil painting development style and the fourth chapter nineties Chinese academy send development,the Chinese oil painting development times is set a limit to further, oil painting develops the "contention of a hundred schools of thought" development appearance , this is that China writes or paints realistically to a certain extent in looking at China within a such specially appointed period,oil painting miniature developing in twenty centuries.Fifth chapters: China writes or paints realistically the oil painting diversification, individuation. Judging from the current situation that Chinese oil painting develops, the Chinese oil painting family has already exceeded "middle school being the body , the Western learning has been to use " the cognition stage "adapting foreign things for Chinese use" , has begun to develop from oil painting multielement understanding that vigorous certainly needing of the art local territory will certainly be that China writes or paints realistically with possibility in art practice, providing new space.
Keywords/Search Tags:Embodiment, Neoclassic, Academism
PDF Full Text Request
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