Erhu "disease In The Yin And Played A Version Of The Study

Liu Tianhua is the 20th century 1930's most outstanding national music composer, and innovators, erhu, pipa performer and educator in China. He lifelong energy to the creation of national music, performing, teaching and research, Through his success in the creative practice of the 20th century the development of traditional Chinese musical instruments has provided valuable experience and have had a far-reaching impact. " sing in the disease " is the first creative of Liu Tianhua's erhu works .It reflected in the succession of traditional Chinese music culture on the basis of integration into Western music, the creative thinking techniques. From " sing in the disease " born, it has nearly a century, and in this period of the past century, music was widely circulated to the general performance of the erhu, performances, thus forming a variety of performance versions, of which the most representative There are four versions of, the first is Liu Tianhua's concert version, and the second is his disciples Jiang feng zhi's version of the concert, also Zhang Rui and Min Huifen's concert version. Liu Tianhua's concert version is very valuable version, but the people do not really understand, his disciples Jiang feng zhi and Zhang Rui, Min Huifen's concert version of the concert version of the succession of Liu Tianhua formed on the basis of a personality performance, in music performance reflected in the original succession on the basis of innovative thinking. They are in the same on scores the basis of creativity into a unique understanding of the work and music aesthetics, the works reveal the emotional content of width and depth. This paper mainly through the " sing in the disease " creative background of music, and the analysis of structure ,and the four concert version of the comparative study of music performance was this song deeper understanding of the performer played by the Re-creation of the creative role.