| litterateur Romain Roland once said:"There is no opera, people will not understand half of the century the art of thinking... It is through the opera, we can truly grasp the depth of that era the sensory America reached." Opera occupies an important position in the art of music. From generation to generation masters left us a splendid life story, one-to-life hero and heroine, the beautiful and touching aria countless and countless unforgettable tunes. Is the aria that beautiful melody, the best way to express the emotions of the characters. Operetta "Die Fledermaus" of Johann Strauss (Johann Strauss1825-1899), more than singing and play the most famous one, the play of the second act maid Adele’s aria "Laughing Song" coloratura in the concert is one of the most popular concert of opera arias, called coloratura "touchstone." From the " Die Fledermaus " was born a hundred years, almost all the famous coloratura in the world played this role. Abroad for John Strauss this unique charm of the operetta has been done a long time of research, there are many important results. With the exchange and development of arts and culture in the world, the opera slowly into the country, people slowly began to contact and understanding of opera. However, this operetta "Die Fledermaus" is quite lacking, current information retrieval research articles about the operetta "Die Fledermaus", or very few, are basically introductory short article. In particular, very few studies of the famous aria in the operetta "Die Fledermaus" Laughing Song of the specialized version of the interpretation and concert release translation, just some brief comments, there is no more in-depth and detailedresearch and exploration. This paper attempts to identify the character and individuality of the specific analysis and research through the analysis of the "Laughing Song" This work and several representative significance of the concert version and singer, the work of the "Laughing Song"concert release translated to for a more in-depth study and exploration, so we have a deeper understanding of this work, and more conducive to a more accurate grasp of vocal music teaching and singing songs figure, create a more vivid figureimage interpretation of the music to express more perfectly.The papers from the songwriter and creative background, the opera and the "Laughing Song" ontology analysis, several different versions of the works of classical concerts and inspiration, works concerts interpretation and historical evaluation of many aspects. The paper first chapter, the main question, the object of study, research and innovation point of the four aspects. The second chapter describes the basic content of the expression of the background generated by this work of the author of the opera "Die Fledermaus-Strauss operetta" Die Fledermaus "and the opera. The third chapter first introduces the "Laughing Song" concert aria in play background, followed by works of the body including melody Melody, adjusting tonality, musical structure, lyrics, relationships, symbols point to the accompaniment texture to do a detailed analysis. The fourth chapter is divided into three parts deals. The first part of the work in concert Chuan from the singer background, interpretation of the meaning and value, then the impact and aesthetic pursuit of four to make a specific analysis. The second part is a departure from the works of several classical concert version from the singer, background, interpretation of the meaning and value, then the impact and aesthetic pursuit of four to make a specific analysis. The third part discusses several classic version given inspiration. Chapter5, the first few chapters of analysis on the basis of more comprehensive and detailed explanation and works, concerts, version, and to evaluate the concert of the works. |
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