"anti-illusion" From The Perspective Of Pirandello And Brecht

The present paper studies two innovative dramatists in the twentieth century drama history:They are compared and discussed under the range of "anti-illusionism" vision.Through analysis the common aspects and differences in their dramatic composition and dramatic theory, we will reduce trythfully the reflection for European drama tradition and performing fashions on drama stage which consist in Luigi Pirandello and Betolt Brecht, and clarifies their breakthroughs and innovations to drama tradition for this reflection.In the meantime, we will show the function and meaning of these breakthroughs and innovations in morden drama history.