| This article attempts to make an overall examination to relations of the literary production and the childlike innocence from three stratifications: spirit, literature and the esthetic, and to reveal the similarity of literary production and general sense childlike innocence as well as the surmounting from literary production to simplechildlike innocence. Simple sincere, the sensitive intuition and the fresh curious------the most direct impression and feeling which the childlike innocence reveals to us, simultaneously is also writer's natural disposition performance. The writer retained the humanity childhood days' happy quality in unconsciousness: "sincere" has guaranteed freedom of the literary production; "sensitive" enabled the writer can see the essence of ordinary things which others could not detect; "curious" has entrusted the writer with a young and enlightened heart for ever.The ego which writers revealed fuses with the outside without a gap, and has been subjectively realized by the main body, but is not the infinite extension of the empirical ego. However, no matter how appropriately related between the main body and the outside, the childhood memory to creates the content and the style influence does not allow to belittle. So this article took Lu Xun's work as an example to discuss an alternate transformation from childhood memory to the real life. The common ground of literary production and the childish games is that the main body draws support from these two methods to run out the reality separately layered surroundings, restructures an own world. Writer's surmounting lies in him to follow the resonsideration manner consciously to construct each one new form to come, is one kind of creation in the true sense.The intuition saying of esthetic domain and the simple theory have all sorts of comparable places from children's sensitive intuition as well as the simplicity and the clumciness of children's pictures. The third chapter of this article have made such attempt. |
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