Qinghai Turkish Wedding Song

This article takes the wedding ceremony and music of Donggou DaZhuang village, which is located in Huzhu Country ,Qinghai Province as its breakthrough point .And on the basis of prehominied research results, in terms of achievements in ethethnology ,history and culture, keep have specifically analysed and studied it by ethnomusicology theory and analysis method ,whose results reflet the overall apprearance and folk culture characteristics .Besides they also attempt to find out its deep artistis value, history value and aesthetic value.Evenly, they have come up with concrete measures to save this national artistic essence and make it be fresh and vigour again. For the sake of it, I mainly discuss it in three aspects.At the first chapter, in order to excatly make sence of the characteristics of Tu ethnic wedding music culture, I've made a comparatively all-around, systematic and detailed introduction from different perspectives and angles, such as the summary of Qinghai Tu ethmic minority culture, Qinghai Tu ethmic minority folk song and so on.At the second chapter, from wedding music document ary, wedding music form, difference with Min He town country, multi-culture music form and the characteristic of words these five aspects. I've got a clear conclusion that Qinghai Tu ethmic minority wedding music is a kind of folk music form takingdisciple song with a mixture of Han, Tibeten and Inner Momgoolia, which has development uniqie style of folk music.At the third chapter ,through the narrations of its researching, arranging, stuying, existing situation of being inherited and social function , I rightly have it analysed and suggest some corresponding protecting measures. I think it will make a prime foundation of the further exploration of Tu ethnic minority music, ethnic folk art and ethnic folk performances.