Analysis. The Shandong Lvju Female Roles Singing

Shandong opera (Lu Ju) is very popular and one of the most primary operas in shandong aera. Meanwhile, it is the representation of Shandong dramas due to its strongly regional feature. Based on Shandong Qin Shu, which is one kind of activity by telling stories with string music from civilian society, moreover, through the reformation and innovation, Shandong opera develops so fast that it is known by all the people in Shandong province. Shandong opera keeps and carries forwards the merits of Chinese drama arts while it creates the unique characteristics and manner belonging to itself. Simple melody, easily understandable lyrics and many traditional plays originated from folklore are shown in order to reflect the ordinary life of roughscuff. After the improvement made by a couple of generation of actors, Shangdong opera has been in possession of attractive stories for most plays, the details of particularity and lifelikeness, the abandunt and mass glossary, and the natural and life-style acts. Because of local accent used to express the daily life, the regional tradition and situation, besides, the emotion and life of people full of it, it is rather popular amongst people.This essay focuses on the analysis of one specific kind of actress' singing in Shandong opera, which can provide the beneficial proof to the futher analysis for this kind of actress' singing in the future, at the same time, deeply promote the research of Shandong opera theoretics. The whole essay will be divided into four parts as follow:PartⅠgenerally describes Shandong opera. This part analyses Shandong opera from the historical and cultural background and the trait of local language in oder to enable us to know the background of Shandong opera.PartⅡintroduces the type and charactoristics of singing. Firstly, the main type of singing names including "Siping Tone", "Er Ban" and others is analysed, then the charactoristics of Shandong opera singing will be introduced in the structure of singing and accompaniment. Siping Tone is the basis of Shandong opera and from the development of civillian Fengyang Song Tone. The original form of it was Laodingban Fengyang Song, then it was grandually changed to Siping Tone. Ee Ban was the tone later than Siping Tone, but it is used as importantly as Siping Tone. Generally, it is sang in slow speed and has the strict rthym, so it was called "Glide" but now it is "Slow Er Ban". Shadong opera shows the trait of music and the style of arts through the dffierent rhythm, setting up of instruments and the unique way of peformance.PartⅢinvestigates the singing trait of actresses. This chapter mainly analyses actresses' singing skill in four aspects of utilizing the air inhaled by actresses, the exchanging of true and fake sound, speaking and emblishing. The actresses in Shandong opera pay attention to the method about inhaling and haling of holding the air in the public region. In addition, the actresses are based on the real sound, but they will utilize the combination of real and fake sound once they meet the high tones, which finally result in the natual and fluent sound. The way of singing usually is good at setting the tone by words, the sound brought by emotion, speaking clearly and naturally talking. When actresses are emblishing tone, glided tone, tremble tone and decorated tone are integrated with transational and decorated tone brought by reverse words in order to achieve the natural and beautiful tones. The format of singing includes the form of words, structure, level and oblique tones, rythm and so on.PartⅣshows the amalgamation, uniqueness, communication and using for referrence between Shandong opera and ethical opera from the same and different points. How to avoid disadvantages and keep advantages is analysed in order to absorb these advantagous aspects each other in the singing technology between Shandong opera and ethical opera, based on holding the style, moreover, promote the development of Shandong opera and ethical opera.