Feng Xiaogang Film Narrative

After twenty years reform and opening up, China's social and economic structure readjustment, culture, fashion and people's aesthetic was effected and people's feelings floodgates was opened up . Under such circumstances, Feng Xiaogang's films meet the needs of the times and cater to the tastes of the general public audience. Making the record of success that cannot be copied , also the commercial concept they use establishes a typical case for national film for reference.In this paper, the study of Feng Xiaogang's film, in which six New Year's greeting films and the "Banquet" , taking "Feng Xiaogang commercial narrative film aesthetics" as its title, this paper is divided into three chapters. In the order of commercial film narrative context, the film's narrative analysis, film narrative change-order transition , The first part is Feng Xiaogang film narrative analysis, emphatically elaborates the common people narrative angle of view and the plot narrative shape. The second part is the Feng Xiaogang film narrative comedy style, also is the key point which this article elaborates. To analyze the comedy language by unifying Feng Xiaogang film's origin. The third part is the Feng Xiaogang film narrative value judgment, this article believes it has the vital significance to Feng Xiaogang film on successful market cultivation. The fourth part discusses Feng Xiaogang film narrative transformation - reforming and the symptom, both the result and insufficient of Feng Xiaogang's film are included.In fact, the model sets up by Feng Xiaogang is certainly not completely the study object, behind the good box office presentation and the commercial performance also hide many symptoms, whether Feng Xiaogang can break through limitation of the dissemination, getting rid of the fuzzy cultural status is the topic we must criticize to absorb and analyze. In Feng Xiaogang's several commercial movie, his movie language is unceasingly changing, taking the Chinese genre rob film ""The World without Thieves" as the turning point, again arrives internationally a high concept movie " Banquet", these new transformation and the symptom similarly is worth studying. On the foundation of the analysis toward Feng Xiaogang's movies, raising a hope towards the domestic films.