Bellini Opera In Three Of The Soprano Aria Singing

Italian opera composer Vincenzo Bellini (1801-1835), is the nineteenth century on behalf of the Italian romantic opera composer of one of the. Among the Italian opera composer, even though no Bellini Rossini, Verdi then Historiography of the high-status, but with his unique musical language with the concept of the opera maintains the Italian lyric opera tradition, the impact of the Italian opera Development, to defend him in the tradition of Italian opera, based on the establishment of a distinctive artistic personality characteristics. Bellini prominent feature of melody creation for people to call, his music style to the romantic lyric-based, written by a warm and moving melody, beautiful smooth, poetic. There are many works has been popular arias, is not only a world concert stage to retain the tracks, is today in classical vocal music teaching materials. More is worth mentioning that, in Bellini's opera, soprano aria, in particular the role that he can reflect on the creation of the characteristics of good use of his beautiful melodies and delicate portrait of the complex character of the inner world, opera, he created the role of women Full image of the distinctive character; In addition, because he has a deep understanding of the bel canto, given the wealth of vocal skills performed on the development of the vocal art had a tremendous impact. Bellini's short life created more than 10 operas, in particular, the representative of "La Sonnambula" and "Norma" and "Puritan" can be a model of Italian opera to the three representative works of opera as an example of Tony Soprano Lini's opera works studied, you can map out the entire creation of the Bellini opera soprano style and features, will deepen people's understanding of the Bellini work, the study of art has a certain value.In this paper, three representatives of the Bellini's opera "La Sonnambula" and "Norma" and "Puritan" in the representation of the soprano aria for the study of these three opera arias in the soprano's art features and music features Carried out a detailed analysis, combined with their singing practice, on how to better performance of Bellini aria soprano made a detailed, with a view to enable the article on the singing Bellini's opera there is a deeper, wider Knowledge, so that singing is more accurately grasp the Bellini aria soprano singing style, vocal concerts and teaching to provide a reference and learn from.The full text is divided into five chapters: The first chapter introduces the early nineteenth century Italian opera, as well as Bellini's life and the representative of the three opera creation; the second chapter of three Bellini opera arias in the soprano's art Characteristics of the analysis; Chapter 3 of the soprano opera arias to analyze the characteristics of the music; Chapter IV of the three representative Opera soprano aria "ah, garden flowers fade," "goddess of virginity," and "ear While his voice sounded "concert to deal with a comprehensive set of in-depth, Chapter 3 of the soprano opera arias in concert should pay attention to technology and training on issues.