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Was "intended To" How Can We Forget The "shape"

Posted on:2010-05-27Degree:MasterType:Thesis
Country:ChinaCandidate:G C JiangFull Text:PDF
GTID:2205360272994003Subject:Literature and art
Abstract/Summary:PDF Full Text Request
Mood is lyric poetry aesthetic literary criticism in particular, an important concept in its grasp and define the meaning of, as well as to generate the focus of attention has always been and is a hot controversy.In this paper, the idea of the concept of combing mood origin, development and evolution as a starting point, through the use of formalism of the literary nature of literary language unfamiliar to analyze discourse, perspective conception of the nature and meaning of literature, exploring the mysteries of mood generated, kept in the mood on the opening the veil of mysticism.The first chapter from the ideological origins, conception of the perspective of the history of development and evolution, analysis of artistic conception theory was "intended to" forget "words" on "aethetic feeling" light "made" the history of the tendency of the use of formalism in methodology, revealed by their very nature, was "intended to "How can we forget" words. "Chapter II focused on formalism "defamiliarization" as a platform to analyze the characteristics of poetic language, that is, from the language of the static level of voice, semantics, syntax strategy defamiliarization start to explore the generation of mood.Chapter III will focus on the dynamic aspects of language that is language in the perspective of rhetoric, including the modification of sentences and chapters and verse of their own strange way to explore their generation in the artistic conception of the function and role.Finally concluded that conception is the result of language is the language of "strange" and strategy of the growth of literature in a garden wonderful work.
Keywords/Search Tags:conception, production, formalism, defamiliarization
PDF Full Text Request
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