"the Piano One, According To The Heart Fugue

Zhao Xiaosheng is a contemporary composer,pianist, this dual identity in the piano music history of the development of our country is one of the few that he was the cause of Chinese piano outstanding contribution to development. His piano music creation has undergone three major period of development, that is adapted mainly 70's, exploring the "modern way of thinking and national charm" together for 80 years, "according to the heart fugue" since the 90's. Zhao Xiaosheng piano music creation has gone through three times repeated the theory and practice, and gradually formed a personalized creation style. In particular, the 80's composer created according to his own original compositions Taiji system theory and 90's works created during the composer is still based on Taiji system theory-improvisation works, are really embodies the composer pursued by " modern way of thinking and national charm " integration of creative thinking.In this paper, based on the composer's own field interviews and collected by the language, music data, the system described Zhao Xiaosheng piano music creation. Thesis is structured as follows:Chapter to an interview with the composer himself as the basis, summed up the life and creative of Zhao Xiaosheng 's experience. Divided their creative into adaptated of mainly 70's, exploring the "modern way of thinking and nationalcharm " together for 80's, according to the heart fugue," for 90's.Author cited piano music of three main time periods , and briefly outlined the three main periods characteristics of the piano writing.Chapter II of the three periods of representative piano works to create the context and ontology analysis, summarized the main creative trajectory of Zhao Xiaosheng. Because of his original theoretical and major works have been done a complete analysis by himself, and has published monographs.So in this chapter, through a preliminary analysis of the author, focuses on the main creative idea of Zhao Xiaosheng. Chapter III, through the first chapter of the life and creative experienced exposition ,and the second chapter analysis representative piano works of three periods, to generalize the piano music creative style of Zhao Xiaosheng. That is, "elegance and harmony, filled with national enthusiasm" of the 20th century, 70's creative style, "Chinese and Western, had shown the nation the spirit" of the 20th century, 80's creative style, "Piano and person into one, depending on heart fugue," the 20th century since the 90's creative style. Especially for the 80's and 90's summed up the characteristics of creative style,combined with the author's own experience, focusing on analysis of the works embodied in the traditional Chinese culture, this point is an important feature in Zhao Xiaosheng's piano music creation, is also the focus of the thesis research 1.Chapter IV, combined with the "Piano Recital by the Road" and I play piano works of Zhao Xiaosheng personal experience, from the work's overall grasp , the work group of special sound and the playing of the sound performance of the special way,the pedal of three aspects, analysis of the recital characteristics of Zhao Xiaosheng piano works.Conclusion part summed up Zhao Xiaosheng 's contribution for development of Chinese piano music. Zhao Xiaosheng 's piano music of its composer and pianist with a double identity and personality of the creation.Works filled with creative passion everywhere and deep feelings of the nation to "the spirit of the Chinese nation" consistently throughout the work, the real practice of the "modern way of thinking and national charm" and together, in the development of Chinese piano music is of great significance.