Analysis Of Contemporary Ink Painting Of Emotion Conveyed And Ink Orientation

As the material,chinese inkand western painting pigments are somewhat defferent..but both of them have the some ultimate goal that is to convey the felling and bear of chinese ink paintings,not any ink and artistic'fellings,theycan have a chose when they convey their own fellings.In this aritcel,it explans the relationship benween felling conveyance and ink rientaion.After several thowand years of development,language oftraditional chinese ink paintings has basically formd its own perfece language system andmany medon ink painters find itdifficult to made any difference in face oftraditona paintings because of its perfection.They will take their life-long effort to climb themountion-like tradtionsl paintings,or their paintings are relatd to thr traditionl ones but to by pass the extonsive and prefound tradition and have come straight into the contemporary ink paintings ,or take both the traditional and modernones.Ink's perfection doesn't mean thar it needs nofurther development.New times requre new styles of ink havent fully conveyed the sports of modern articts once again face the time rssue od ink in the current.Ink painters have made all kinds of effort in order to solve the time issue of ink language and created many new styles of ink..For example,Tian liming's paintings are quiet,Liu jian's are frank,Li xiaoxuan's are strage and Wu yi's are simple.From different angles,they have expanded the contemporany significance of ink,made the traditional ink fuul of new life and also made a difference to chinese paintings in reaction to contemporary culture and in expressing the thoughts of artistsOnly when in conveys artists'feelings does it have strong vitality . It is meaningless in itself. In the Yuan Dynasty. Ni Zan conveyed artists'high quality, the desert of nature and loneliness of human through the beauty of pine trees. Incontemporary, famous artists, Tian Liming and Liu Jinan use different ink language to convey the own unique feelings in the present society through the refinement of contemporary ink. In this article, it anlyses the current status of ink, ink orientation and feeling conveyance. Combined with my profound experience in ink painting creation, it also tells not until ink conveys the feelings and thoughts of artists does it have a unique artistil value...