Study Of Popular Culture In The Context Of Fengxiaogang Piece

In the context of popular culture,Feng Xiaogang acutely captures the rapid changing landscape of urban life,shows the emotional desire and dreams of common people in this commercial society. By using his unique understanding he creates the outstanding style of Feng's New Year flims which has received public recognition and a lot of money at the box office.Thus, Feng Xiaogang successfully changes from a grass-rooted director to a film star.Feng Xiaogang's higher visibility ,abundant financial resource, sharply developing tendency , creation attitude of boldly exploring differences indicate the extremely subtle paragenesis relations of Chinese mainstream culture and Feng Xiaogang Phenomenon in the 21th century.This article systematically studies the cultural context of Feng Xiaogang's New Year flims, the characteristics of Feng Xiaogang's New Year films and Feng Xiaogang's New Year films'inspiration on contemporary Chinese flims to reveal the value and significance of Feng Xiaogang's New Year films.The body is divided into three parts:Part I: The cultural context of Feng Xiaogang's New Year flims. The birth of Feng Xiaogang's New Year films and eventually becoming a well-known brand have a great relationship with socio-cultural context. Just in the context of popular culture can Feng Xiaogang's New Year films succeed.Part II: The characteristics of Feng Xiaogang's New Year films.Feng Xiaogang's success is not only relevant with cultural context,but also because of his own characteristics.Commerciality and artistry are the talisman of Feng Xiaogang's New Year films'success.Part III: The inspiration of Feng Xiaogang's New Year flims. Respecting the audience and respecting the film market is the key to the success. It is necessary to study and learn from his experience of success to inspire the development of contemporary Chinese films.In this article,we believe that the study on Feng Xiaogang's New Year films has profound learning and inspiring significance for the practice and theoretical development of contemporary Chinese films.