Research On The Transformation Of Feng Xiaogang's Films

Since he became a director, Feng Xiaogang has not limited a particular type of shooting the film. He is always like a hard-working primary school students.Each areas of the films seems to have been full of curious, and he has constantly offer different styles to the audience the feast .To explore the way in the arts, he has experienced different stages of creation, both reached the peak moment of glory, but also a nose-dive of the bleak, along with the inevitable period of retrogression and difficult before. The road of his movies, the film's artistic integrity and commercial value of mutually exclusive, running, and ultimately the process of combination.According to the characteristics of my videos, as well as creative background, the course will be creative director of three different decades, namely: the growth decade of Feng Xiaogang's films (including Party A Party B,Be There or Be Square,Endless and The Big Shot's Funeral), the first transition of Feng Xiaogang's films (including A Sigh, Cell Phone, A World Without Thieves and The Banquet) and the second transition of Feng Xiaogang's films (Assembly). The other works directed by Feng Xiaogang are not included in this study. I Select three point of view (including the theme of his films ,film language, the choice of actors.) to analyze the transformation of Feng Xiaogang's films. Its first major transformation is exploring of the humanistic thinking theme in the city civilians films and the deliberate use of opening Taiwan to upgrade influence; the re-transformation of the main concerns expressed in the true human nature ,at the same time concern about social equity, justice, no longer to use star but to create a star in the film ,the camera language becoming more concise and simple.