Heart Of The Chinese Landscape Painting Source Characteristics

In terms of Chinese landscape painting, in spite of all time with pen and ink works in different techniques and aesthetic tendencies, but "good fortune outside the division, the source of heart" is its constant creative purpose, No matter about the hills are made throughout the draw or the pursuit of the Song-Yi Qi Yuan, was like that. In particular, are the source of the heart, as a landscape painting guide and structured nature of the landscape of the creative and aesthetic direction, so that landscape in the development process with a profound cultural and spiritual connotation.We can believe that all sorts of big esthetic choices which appears in the development of the Chinese landscape painting is related with the heart source special characteristic. such as ink painting in the Tang Dynasty and the subsequent emergence of its highly regarded; the Song of Poetry homology, check picturesque poetry; Yuan Dynasty calligraphy and other subjects. Especially the painters advocate and pursue the soul-headstream and pen&ink are also correlated with this. The ancients said: "Act so as to draw the spirit of lively as the first", (Demhchun"draw in mind"), the spirit has always been the home has always been a tireless pursuit of landscape painting, then as a creative and aesthetic spirit of the highest standards of evaluation and creative heart of the source of landscape painting What is the relationship between traits, and as a national aesthetic characteristics, what is the relationship between the pen and ink, I thought that the spirit of the heart are the source of landscape paintings at the art works to display the form, both inside and outside is a relationship between the source lies in the heart of people , the spirit is the draw, the inadvertent source it would not have the spirit, not to mention the style.Guo ruoxu said" "the spirit in the Tour of heart", its meaning also at this point. He made possible the heart out while maintaining the spirit of vivid effects, we have to help with pen and ink, and I agree that our predecessors have said the "angry pen, ink-sheng Yun," and that the ink has a source from the heart while the independent aesthetic value, are people of character can be mapped morphological techniques, but do not agree with the ink image as clouds form and the spirit of the shallow view.The landscape painting development is at the stable development condition basically in the history, has development which inherits, also has the exchange and the fusion, this all is in the national culture order development, but this kind of order is broken evolution to the modern times. However, access to modern times, the introduction Cephas, society changes, so landscape painting (Chinese painting) walked into the precarious journey. Thus, the advanced and backward, tradition and innovation, art and nature, and many other issues became the focus of debate and theory Landscape Painting also "hundred schools of thought contend" with. In this lively contend in, showing that the intrinsic landscape painting is missing, how to make use of traditional and modern, and contemporary art and the natural landscape such as the development direction of home and landscape are the many theorists to solve the problem,the study of Chinese landscape painting is also the source of the characteristics of the heart significance. In this paper, that the source of the heart is rooted in culture, and because of the national culture into the psychological, their creative must be set up at the Chinese culture and aesthetic based on the concept of "cardiac source" as the fundamental, and maintain their own aesthetic standards, and follow with a national, time to stay.