Guo Wenjing created this work, "play", reflecting the composer has been a critics named "Limit writing" creative idea that the maximum sound to explore the possibility of an object. This paper mainly from two aspects to the analysis of this work: the first chapter is mainly from the "play" to start the title of this work, why would the "drama" as the title? The title reflects the significance of what is it? The second chapter in this work mainly from the cymbals in the playing technique and works in the traditional comparison of cymbals start playing techniques in order to manifest a "drama" is really the end of this work only two or three playing cymbals law situation, he the cymbals sound and playing technique to an extreme, making certain expressive instrument. |