| Zong's life aesthetics with its deep philosophical thought, deep and sincere concern to humanity, penetrating insight and the wide open art of Chinese and Western aesthetic vision, set its unique room in the modern aesthetic history. Through careful analysis of historical background and a deep study of its philosophical basis, we carefully dig out the Zong's content and meaning of life aesthetics. Zong's life aesthetic system is based on criticism of Western life aesthetics, and absorption of Chinese classical aesthetics, through which the system is gradually established. His lives of Ontology is an integration of Western aesthetics and development results. While in his view of life, Zong highlighted creative life which has long been neglected by the Chinese. On this basis, he proposed the point of view "beauty is abundant form of life in harmony", and the movement of life and harmony in the form of aesthetics are taken as the heart of his theory. In pursuit of the Personality, feelings for contemporary sense of human existence provided a model. Zong's most outstanding contribution was his Chinese art, exploring "Mood" quality of life. His interpretation of the mood, highlights the main soul, life in the built environment in the leading role, and the subject of life and everything in the universe formed by blending the dynamic formation process of conception. He developed the traditional conception of modern life aesthetics. This spirit of Chinese culture in the modern opens a wonderful view. The Aesthetic Idea and the Aesthetics roads to explore contemporary aesthetics of life has important significance. |
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