The Jiangshan Into I Hing, Essays Scattered Tsinghua

A "division of good fortune, in the heart of the source" is the driving force behind the development of Chinese landscape painting produced, and the "ancient division," it is to maintain the landscape character, foresight, the only way through this ancient opening.2 Since the Ming Dynasty, pen and ink landscape painters are more concerned about the form of the language of the inquiry itself, and the forerunners of sorting out the program, followed and inheritance. As "Wu School" of onset, the "Che School" rage and early Ming Wu of the late Yuan literati painting traditions of the mold attack, etc., the Shen Zhou ancient divisions that make extensive and more a class (eg "Dongzhuang map "etc.) to Wu Reclusion works under real life circumstances and the natural landscape attraction Wu Virtual paint a portrait of the Travel relying on the nature of the work will" of nature in "and" ancient division, "the perfect combination of far-reaching implications.3 How to hold the bottom line of traditional aesthetic landscape, but also create excellent work habits of the times, in the "normal good luck" and "ancient division," reasonable and balanced on both sides, "Dongzhuang map" may be enlightenment.