On Wu Zuguang Drama Draw And Create, The Opera Art

Wu Zuguang's drama is one of the successes of drama exploration in the process of nationalization, reference and fusion to the drama; it is the main feature of his drama. But, up to now, the study of Wu Zuguang's drama about the relationship between creativity and Chinese opera is still in a loose and simple state. Particularly, it is failed to do further research in the integration of the drama and Chinese opera. The paper is to Wu Zuguang's drama in reference to the opera as well as learns from the completion of a drama based on the originality of the research object.The first chapter focused on the origin of Wu Zuguang's drama and Chinese classical opera / traditional culture. From his family environment for Obsession of Tang, Peking opera, the fascination with the early days as a drama teacher, as well as he and Xin Fengxia's marriage, etc. to be explained.ChapterⅡexplore Wu Zuguang's drama is how to learn from Chinese classical opera, divide into two parts. First his drama refers to the surface of classical drama, for example, type of plot points and lines beaded structure, Free-flowing space-time conversion, and the use of story within story. On the other hand, his drama refers to the deep structure of classical drama, mainly in three aspects, the romantic fantasy spirit of the legendary, image and artistic conception of aesthetic creation, Poetry, in the drama, drama in the poetry.ChapterⅢis to explore Wu Zuguang how to completion the drama and classical opera ,and based on them, he created his drama. In three main areas to be discussed: First, the unity of emotion and philosophy, the second is realism intertwined with the freehand, third, traditional forms with modern techniques integration.Concluded the achievements and limitations of Wu Zuguang's drama learn from the classical opera, pointed out that the significance and problems of its inspiration.