Schumann's Song Cycle "love And Life" Of Women Singing And Teaching Value Inquiry

This paper discusses the major German Romantic composer Robert Schumann's vocal divertimento "Women's love and life" in singing style, grasp, Robert·Schumann (Robert Schumann 1810.6.8-1856.7.29) is a 19th century German romantic period music in the history of the most prominent composers and music critics, all his vocal works are by the Romantic poet's poetry as a creative material, and therefore has a strong literary, works often show people and things in people's hearts hit the profound repercussions from. Schumann's life, emotionally sensitive, detailed, fantasy, poetic, these characteristics often appear in his musical works. Schumann singing skills on the stresses of the changing tone, clear articulation, tone of detail, and thus reflect the music of poetry, so Schumann also enjoy a "poet musician" in the world.Article from the perspective of three pairs of vocal divertimento for this discussion, the first chapter describes the performance of the work content, from the composer's life experience and deep understanding of aesthetic thinking of this vocal divertimento perceive the "tragedy and noble," ideological content.The second chapter describes the singing style of work, first as a whole to understand the layout of the work, from the harmony of colors, tonal changes, the piano accompaniment, and then carefully explore how singing skills from the perspective of interpretation of this work. The third chapter of this work in the practice of vocal music teaching the value of this work through research and analysis, let us understand more profoundly the development of 19th century vocal trend, so we have a deeper understanding of the creative work to the essence of thinking and in the concert art songs by Schumann, the artist should focus on coordination with the piano, and a "weak treble singing" form to show the unique vocal Schumann Romantic fantasy feelings.