Han Folk Dance Ritual,

Folk dance is the most common of human life, the most active of an art form, is a key manifestation of popular culture forms and integral part of a special geographical environment created by cultural products. Han folk dance, however, is not only rich in content, but also a wide range of styles. Even if the same kind of music and dance, different from region to region but also in style, dress and performance form their own characteristics, unique charm. In this paper, three parts to start through the development of Han Chinese folk dance to analyze the Han Chinese folk dance, ritual character. The main contents are as follows:Chapter 1:Introduction:This paper elaborated on the purpose and significance of this study, the subjects of this study has defined the study reviewed the status quo, outlines research trends and explains the ideas of this research, methods and innovations. Folk dance art research in recent years, increasing attention in the academic and attention and made some study of the corresponding accumulation and results. In this study, previous research results as a starting point, drawing on sociology, folklore theoretical perspective, historical data and field survey data, based primarily on folk dance through the sacrificial nature of meaning and purpose of the description, so that the masses through the folk dance activities in order to God and entertain the people seeking entertainment combination to achieve in order to gods to bless, misfortunes to avoid difficult, favorable weather, bumper harvests year after year long to show folk dance in the long history of feudal society which has the characteristics of small-scale peasant fanning culture.Chapter 2:folk dance origins and development of Han Chinese folk dance. From the start of this chapter, folk dance folk dance origin, characteristics and cultural characteristics, which leads to the Han folk dance, as well as its sacrificial nature. The fire of civil society mainly trouble, trouble Yangko and civil society pays respects to inspire worship in the temple, stay in doors and so on New Year's rites.Chapter 3:worship in the original dance, the importance of the origin. This chapter from the original dance, the introduction of the origin and remains, thus leads to the original dance, fire and civil society witch cultural production. The original dance of the primitive society in the long spent its embryonic forming. With the disintegration of primitive society, slave society into the development of history after the original dance, to meet the needs of slave-owners, part of the development of the later court dances; and partly with the working life of workers developed into folk dance. However, no matter in a later court dances or folk dance, original dance forms, the psychological skills and performance, there will be varying degrees of remains. Fire from the life of civil society, rooted in the masses, has experienced several thousand years of development and evolution, so far, every Chinese New Year, before and after the fifteenth day, parts of the masses of various civil society organizations, spontaneous fires, to celebrate the Lunar New Year, I wish the coming year, favorable weather, peace and prosperity. When the slave germination of the original religion of human consciousness and totem worship had changed after the witch, when the witch part-time tribal chiefs, Shang Tang is a big witch, responsible for the organization hosted a variety of worship, divination activities.Chapter 4:folk dance ritual characteristics. As a core part of the full text of this chapter, the contents of the previous two chapters are laying the groundwork for their respective leads to exorcise the legacy and the need to maintain the old drive Nuo secular. In addition to worship the land reflects the farming culture and in worship for the purpose of encouraging people outside the festival, not only to cherish the memory of our ancestors, but also carry forward our Chinese traditional culture. Therefore, worship, and folk dance and the mutual relationship between the impact of the current in-depth study of folk dance is a new topic. Especially color containing superstitious rites and ceremonies and national age-old tradition of ritual activities, analysis, and a better understanding of its role played by folk dance.