On Painting "feel" The Importance Of "feel"

The art of painting is different from the camera's simply mechanical reproduction, and it is "not to show what can be seen, but to allow things to be seen," with emphasizing the artists'own "feeling". This "feeling" is the "life" of the picture. Without the emotional injection into painting, the picture is just a pile of shape and color. The real purpose of art is not to copy nature, but to express the artists'inner feelings.This thesis consists of four chapters. In the first chapter, this paper illustrates something of the author's feeling and sentiment, with the experience of painting practice, and also verifies the "realization of feelings" related to painting creation. In the second chapter, this paper starts with physiology, psychology, and art of the "feeling" for doing the relevant discussion, and focuses on the importance of creativity in painting. Painting as a silent visual arts, is through the screen to convey the artists'feelings. Paintings are realized by the artist's soul to the performance of the content, and a sense of one'own. In order to borrow from the screen and convey their feelings to the viewers', which underscores the artist's own "feeling". The third chapter is mainly to talk about the experience of "feeling", combines traditional Chinese philosophy of "qi" and "life", and talk about the author understanding of "feeling". The "feeling", is not just relying on the eyes to see, more importantly, to rely on "heart" to feel. To such a "feeling", we must firstly integrate us into nature, to feel and experience with our own life consciousness.In the fourth chapter, this paper focuses on the realization of "feeling". The primary task of the artists is to give their works "life" through the brush and make them feel fresh by approaching "soul". The process of painting is the life of painting created and re-engineered. Through artists'"heart", "brush" transmits "vigor of life" into the paintings in order to become vivid and real existence. And talk about the use of color with the author's experience from a kind of painting to tend to the color of the subjects to express feelings.