Inheritance And Innovation - Joe And Light On Chinese Lacquer

This thesis is based on Qiaoshiguang lacquer art on the impact of Chinese lacquer painting as the main research. Professor Joe 10 light years of unremitting efforts by several traditional paint process and the integration of painting, opened a new page in the Chinese art of lacquer painting, lacquer painting makes a modern Chinese nation a new form of painting, his lacquer painting arts development and exploration of traditional Chinese arts and crafts is a milestone in the history of epoch-making significance. Qiaoshiguang lacquer traditional folk arts from the shift in higher education, passing the many artistic elements of traditional Chinese culture, after decades of efforts to explore, practice innovation, and gradually developed into the characteristics of Chinese traditional craft and modern design language the lacquer forms, China has made great contributions to art of lacquer painting. Chinese Lacquer is lacquer mill in Vietnam, led by the stimulation, and changes in social attitudes as well as contemporary artists the joint efforts of Chinese lacquer finished. Although the Chinese lacquer has a few thousand years of cultural heritage, through the development, brilliant, to the decline, the ups and downs. The past 50 years, lacquer art is in the senior's efforts to open up and the joint efforts of modern artists, and finally attested. In particular, . light in recent years to Qiaoshiguang artists represented in the paint through international exchanges, expanding external influence lacquer. National Art Exhibition as part of the lacquer on Lacquer unveiled, showing the world the unique charm of lacquer painting, but also strengthened the confidence of paint artists on the road. I have brewing in the paper, data collection and sorting process, to explore, deep analysis, thinking Qiaoshiguang individuals for the significant impact of Chinese Lacquer Art, and the subsequent launching of university arts education programs, settings, direct impact on the development of lacquer painting. Professor Qiaoshiguang of contemporary Chinese Lacquer Art as an outstanding representative of Chinese lacquer painting art heritage, development, education and made great contributions, not only is an excellent paint artist, educator, is to promote the cause of Chinese lacquer painting who opened up the performance of Chinese lacquer surface. Article aims to light through a Qiaoshiguang number of artists represented by the lacquer roads to objective analysis of the status of the Chinese art of lacquer painting, clear understanding of the development path of traditional Chinese art and prospects.In the paper I briefly explained the background of this issue. China's 7000 years of cultural accumulation lacquer creates the history of Chinese traditional lacquer ware, but after the lacquer is attached to objects on top of, not separate show for a long time only a.few people have the luxury. The new period, the socio-economic development more lacquer ware house in the effort, lacquer painting career started to recover. Materials, process, technology, art and culture, combining elements of making art of lacquer painting is no longer the shelf, after half a century of efforts to get rid of the traditional stone bone, inlaid with mother-mounted, flat grinding, carving tick rhino, not then a simple technical inheritance, but rose to the arts as a whole, although the arts have in common, but can not be substituted with other types of craft art beauty and material beauty, a Flower of the World of Art, the Chinese lacquer painting art also enjoys the reputation of the world.I think that the exploration of lacquer painting is necessary, on the one hand it is to promote cultural traditions inherited Chinese lacquer; on the one hand, the spirit of the times is the meaning of the art form, whether it is process of, or artistic, it has a very strong expressive and rich picture effect. Chinese lacquer painting from the 20th century modern 60's to today,50 years of exploration and development, the use of special media that created the independent aesthetic object is built in a traditional foundation. Through broad themes, performance techniques of the degree of freedom, creative forms of diversity, lacquer painting artistic maturing, gradually expanding the social impact, had been accepted and loved. However, the development of the world's diverse background, our overall level of development of modern lacquer painting still to be improved, based on the traditional basis in, but also integrate ancient and modern, wide income Bona, through Western, criticism and learn from, the Chinese lacquer painting to a higher and better future.]...