Huang Huwei Music Creation Style Research

The Mr. Huang Huwei of music creation and research throughout the entire second half of the twentieth century and the early twenty-first century, clearly reflects the Chinese music in the "East-meets-" new folk music on the road to overcome or avoid the "China of Western music, "of this paradox; how the music accurately reflect the unique charm of traditional Chinese culture, the essence; how to maintain and promote Chinese music, culture, national character; how the nation's musical language and integration of Western music theory, etc. side from learning to self-style highlights the change in trajectory.Huang Huwei of music creation and theoretical research has always been looking for an "East-meets-" folk music development. His compositions for various periods of Western techniques and Chinese folk music material with the successful practice for the development of China's new folk music that had a successful direction. The creation of harmonic color applications, a large number of transfer techniques update the structure of music created using the instructions on the folk music of his all-round contribution. Huang Huwei music for the successful practice of Chinese folk music to explore the development of a successful path, in the expanding creative thinking and enrich musical expression, innovation and other aspects of the national musical language has a positive meaning. He left to posterity not only beautiful music, as well as its rich creative ideological content, it is worth people to seriously consider and research.This article is based on results of previous studies, to Huang Huwei important theoretical writings and musical works as an entry point, as represented by its full combing the traditional Chinese folk music with Western music theory from the bud to the combination of changes in the development context; summary Huang Huwei of the music reveals how Chinese folk music with Western music theory of coexistence; the specific understanding and grasp of their works, "East-meets-" the use of composition techniques; and innovative attempt to broader and deeper perspective to analyze works of against China's traditional folk opera elements of tone and reference, so as the twentieth century, Chinese folk music explored in the national character, "East-meets-" road course summed up experience in creativity.