The Style Of Beethoven's Violin Sonata And Played

This choice of German classical music, the pinnacle of figure, the great pioneer of European Romantic Music---Ludwig van·Beethoven (Ludwig van Beethoven,1770-1827) of 10 violin sonatas as a research object, the specific mainly analysis he gave in 1801 the Fifth Violin Sonata "Spring" (Op.24), F Major and the ninth in 1803 for the first Violin Sonata "KREUTZER" (Op.47), A flat major.Beethoven's music gives a positive, optimistic symbol of freedom. By Beethoven's Violin Sonata No.2 for analysis of the writing style, combined with their own playing experience, from the bowing, Vibrato, change to, such as violin fingering techniques to study in order to better interpret these two works.Full-text is divided into three chapters, the first chapter:"Beethoven's Violin Sonata creative background", from the composer's life and the fifth, ninth Violin Sonata creative aspects of the social and historical background of research, comprehensive understanding of the composer living environment. Chapter II:"The Musical Structure of the work characteristics and playing techniques of the study" a detailed analysis of the musical form and characteristics of each movement, and playing techniques on the analysis. Chapter III:"The two sonatas recorded version of the introduction and comparison", analysis of different versions give us a different style of music to listen to masters of the two songs a unique interpretation of the future performance of these two works to provide peer some references and reference.As called Le Saint violin compositions of Beethoven's works, greatly expanded the power of violin performance, becoming the concert repertoire, theory, the object of study, learning materials, a number of fiddlers competing to become a classic performance, but also affect the Romantic composers of the later creation.