Language Study Of Oil Painting Formal

Since the 15th century Nederland painter Jan van Eyck brothers invent oil painting techniques to now, oil painting has ruled Western painting nearly five centuries.. Powerful expressiveness and cultural connotation of oil painting,which took an unprecedented and incomparable advantages in the history of painting.Although oil painting has not dominated rule position in contemporary Western art, it out of the mainstream of history, and it was even repeatedly pronounced the death penalty, but there still a group of artists continued to use it as the special media of human emotion, especially in China, there also a large number of enthusiasts utilize and enrich the oil painting language. It can be said that oil painting will not extinct since human culture will not perish.Every artist who would like to engage in oil painting must to resolve the basic problem of oil painting form language firstly. It is also a problem presented in front of us, which we can not avoid. As a graduate student of oil painting, the aim of research on the law of Oil formal language is to summarize the previous painting experience in the past oil painting history, But more important is to instruct my painting practice, and to indicate the forward direction of future oil.Therefore, the paper was composed of four aspect, basic elements, formal beauty, develop history of oil painting form language, and my graduation project. The paper study with the historical, human, objective point of view from Theory to Practice, from ancient to present, from From macroscopic to microscopic, it seeks to reproduce the regularity of oil painting language.But limited in my ability level and article length, the paper can only present a simple and shallow discussion of a general regularity of oil painting form language, more deep exploration of it is to be expected in the future.Art study is a process from no way to ways, but "art has not rules"must be remerebed. The research of oil painting form language should not restrict human creation and practice. It should be took from dialectical view, The concrete problem need a concrete analysis. Since there is no panacea in the world, so did it could not be applied mechanically, it should be multiple and flexible. Only in this way, can walk long lasting in the art road, and eventually be able to enter the the best state of "one with nature"!...