The "Concert" Of Fangshan District Beijiao Village Inherited Score And Its Live Transmission Research

After thousands of years of development, Chinese traditional music culture has not accounted for the mainstream in urban culture at present, but thriving still in the country along the city. These so-called folk music which accumulate in the country currently once is used as national etiquette music in the history.BeiYao village is a mountain village of Beijing fangshan district.The concert preach spectrum there called music book was copied in the qing dynasty emperor guangxu 23 years (1897).The "nianhao"(a method to record the age in ancient china) recorded in the preach spectrum seem to have the relationship with the age of inherance. So the songs in the "music book" may be inherited by 384 years. And one third of repertoires in it are still in use in concert of BeiYao village.The significance of case is self-evident. This paper,which takes the "music book" as the breakthrough point and is combined with field research and literature, explore the source and the inner motive and external reasons of the inheritance after hundreds of years of this spectrum repertoire historically, and analysis synchronicly the reason of there are plenty of repertoires in the spectrum having the same name with the repertoires which is inherited by the traditional music organization in the surrounding area. At the same time I try to use the statistical methods to summarize the BeiYao village's concert repertoire which could be live transmission called "A Kou" Accent to attempt to translate the repertoire that has not been passed down.This paper's research significance is reductiving the complete history relatively, and having a restricted view at and holding to "traditional"through the president situation.The reason that the concert could be inherited by hundreds of years and remain unchanged is the strength of folk beliefs.So the BeiYao village's concert use these pieces of music with piety and no optional changing in ceremonies for sacrificing spirit, turning undead,praying bliss and exercising spell to break disaster. Now the lack of folk beliefs atmosphere and the economic decline in the BeiYao village cause that the development of concert get into alarming situation.The repertoires in the "music book" have the nature of etiquette music as the music of sacrifices etiquette that folk beliefs. Through tracing its repertoire's source, we can see that these pieces of music mostly come from national etiquette music that "JiaoFang"(the organization that manage instrument people in the ancient China) beared. The concert says its music were handed down by monks.The music for appreciation that exists as the mainstream in society was given to the Buddha's path in the national sense,and the national small etiquette music use the"JiaoFang"'s music in Ming dynasty.So it could be show that the folk's music is meanful to national etiquette music's inheritance.And there is also a direct link between it and using shengs brass band in the BeiYao village concert. Connect the national etiquette music in the traditional society with the etiquette music that was believed in by the folks now,and compare them with the etiquette music in other music clubs.Then we can see similarities among the national etiquette music in different areas.This paper have deep feelings through the repertoire analysis to the "music book", and carrying on the comparative analysis about the same name repertoires in other music clubs. On the basis of mastering "GongChi,PuGu,GanYin"traditionally,auther try to explain the music in the music score book, concert "BuZhuan",and make beneficial exploration of restoring tradition,differentiating historical facts by using the concert inheriting music in the living condition to summarize "Akou", "RunQianng" regularly.