On The Cultural Connotation Of Wang Shuo's Riffraff Hero

Wang Shuo is a Chinese contemporary literature writer that can not be ignored,.He and his "riffraff literature " emerged, such as thunder, after the general agitation of literary reflection of the reform and opening up immersed in the Chinese Cultural Revolution,. Compound the experience of birth and business resources of these unique creations, let him shape the unique cultural connotation of the " riffraff hero" image of the series.Postmodernism world, especially, "Beat" literature, in the United States,as well as China's reform arid opening to the public by the political and social changes in society, constitute the emerging era of Wang Shuo's riffraff hero background. Personally, from Wang Shuo, who was born in the superiority of the compound in the commercialization of social transition, of which the wave no longer exists, " riffraff hero " is a mind shaping the his self-consolation.Wang Shuo's riffraff hero on the cultural connotation of the many comments already, but for the game of Wang Shuo's novel, but not subversive and discourse Carnival systematic exposition, this article from a detailed analysis of these three aspects of Wang Shuo and His riffraff hero are the sole With the cultural connotations: First, during the late Qing Wang Shuo inherited the game from the absorption of the Western literary ideas, abandoned the tradition of the text set out on the road that idea in a "play"attitude to writing, his novels were riffraff Is also the general public through the game against the mediocrity of life to life, highlighting their heroic.Second, Wang Shuo's riffraff hero for profound subversion of the noble, the Cultural Revolution, the noble ideology set up to fool them, and generation of Chinese people, intellectuals, elites Cultural Zimingqinggao, from the practical people, as well as traditional Chinese culture in the abnormal development of the Cultural Revolution, all of which are its own way, yearning for freedom of riffraff hero can not tolerate, so by way of ridicule be subversive, is their Forte; and Wang Shuo himself for modern Chinese literature and contemporary literature in the iconic figure of Lu Xun, Lao She, Jin Yong's criticism, but also subvert their lofty status in the eyes of people, although some words are not without bias, but this does not Worship idols, or who dared to criticize the ruffian style is commendable. Third, Wang Shuo, Beijing well with the contemporary form of new capital taste dialect writing language, and the result of this language is similar to Bakhtin carnival said the effect of a powerful expose of the system and order, power and status of the ridiculous nature Formation of a new Beijing style of literature's unique artistic charm.Although Wang Shuo's riffraff hero at the time was a lot of blame, and even a criticism of Wang Shuo and led to a "great debate on humanism ", the riffraff hero of Chinese contemporary literature is undoubtedly a major contribution to the character gallery, they represent Mediocre resistance, subversion noble ruffian culture, has been such a ruffian culture mockery of the system and power, which has a profound impact on contemporary literature.