The Composition Of Chinese Fine Brushwork Flower-and-Bird Painting

Picture of the composition is thought the performance of a particular artist first steps, and most important step. In Chinese painterly theory of "most important of painting ", the whole entire work of composition that is the ingenuity of the auctorum mind, embodies showed the theme of intention and specific method with the author, which is a concrete reflection of the artistic. Composition is the "conception "is the ultimate embodiment of the screen if it is adequately "convey of idea" to see how to create a picture of the composition.The first chapter of article, the composition of traditional Chinese paintings and traditional flower of the panoramic view of the meticulous composition and broken branches type composition for a more systematic study.Composition rules of traditional painting from start, from《China of past Dynasties Painting Theories》that is theory basic and dynasties painting works that is reference object with starting, finding:in many works, Artist-consuming effort in the management location, in the Chinese paintings of the various mentioned in the rules of composition:host and guest, far and near, the actual situation, density, open and close, display Traditional and Simplified, concealment and revelation, choice, etc., closer look each piece of work, These rules are running through them, no matter which part of the process in the composition are interrelated, not exist in isolation.In the second chapter of contemporary Chinese fine brushwork of Chinese painting bird composition features a brief summary.Composition in modern and contemporary Chinese paintings, we find:composition than the traditional Chinese painting, in the screen of the "law " than many of the traditional composition of loose, not fixed rules of contemporary composition, regardless of whether such tricks of the ancient people, if the picture that is reasonable,can be used, so, than traditional composition, more respect for the characteristics of contemporary composition:"No need to comply with laws in painting." In this article, I passed on the contemporary more representative artists such as:He xi, Chen yunquan, Lin ruoxi, Jiang cuiping, and so on, more works of comparative analysis found that: I think that contemporary Chinese Painting The most obvious Intervention should be composed of features, so that the screen form of influenza than the traditional composition has increased, while the composition of the color composition and geometric form is a contemporary Chinese Painting in the two aspects of the more obvious reference.Composition in black and white gray color contrast is the key to dealing with the relationship between the overall picture, big tone, big part of relationships and the screen and some relationship between the black and white ash almost completed in this step, you need to have a higher screen painting Control capability and experience. In this article, the author will be divided into three levels, namely:a high degree of contrast black and white ash,2, moderate contrast black and white ash,3, low-contrast black and white ash.In the geometric form, I summarized the main form of two geometric form, namely:the golden section and point, line and plane split combination.Golden:In this article, such as the main examples of the 3:7,2:8,1:9 icon.Geometric form of the combination of Point, Line Segmentation especially:the screen rational by geometric partitioning, for example, is divided into irregular triangle, circle, trapezoid, and other irregular shapes, and re-formation of a new kind of picture composition unit Way. Its role is to balance between the emphasis on form, contrast, rhythm, rhythm, etc. over the same time, but also pay attention to the role of graphic gives a visual guide, as to what point the screen, what surface and line, then Entirely by the audience and artists to decide for themselves.The third chapter summarizes the composition of the Chinese fine brushwork bird on the author's influence in the creative practice, graduate creative ideas and production methods.Finally, the conclusion:development of the arts to this day and age, composition has become more colorful, no longer limited to the model inherited from the style of the artist began according to their needs, and for a variety of changes in composition style, Regardless of inheritance is still the traditional, or traditional, but its purpose is to give the viewer a different visual experience:in the West learn from the back to nature when the wind popular in traditional painting involved the collision of Chinese and Western composition, etc., but all artists Composition through different ways, give the viewer a different visual impact. However, both keep the traditional, or follow the fashion, we can not rest on its laurels, or be the replacement, but rather to absorb and enrich their own work, from the "similar" exaggerated "feature. " People do not expect to be accepted, only understood by everyone expected-when the viewer stands in front of your work, you can not explain, and be satisfied.