The Evolution Of The Traditional Painting-bird Painting Language In Contemporary China

As an independent branch of Oriental painting,the Chinese meticulous flower and bird painting,no matter from its external features and inner expression,is the core of the spirit of Oriental art and philosophical culture in China.Chinese flowers and birds in the Tang Dynasty became a subject independently,to the song and Yuan period to reach its peak position.However,with the change of dynasties,the appearance of literati painting and ink painting advocating simplicity and artistic conception made the traditional meticulous flower and bird painting back to the edge of the Chinese stage and silence for centuries.Until the 80 's,China's meticulous flower and bird painting to return to the public view.After the return of the modern new meticulous flower and bird paintings,painting language from the traditional to the contemporary changes.This paper discusses and probes into the reasons behind the change of the traditional painting language of Chinese meticulous brushwork to the contemporary painting language,through contrasting the new painting language features and the traditional meticulous painting language features of the modern Chinese fine brushwork and bird paintings.And taking the beginning of Chinese traditional flower and bird painting as the clue,through the comprehensive review of the whole development course of Chinese meticulous brushwork and bird painting,from the angle of the main drawing language features of traditional meticulous flower and bird paintings,we further analyze and compare the various representative painters and their classics in the peak period of Chinese meticulous painting This paper makes a deep analysis and discussion on the cultural thought factors behind the formation of the painting language style of the contemporary meticulous flower and bird painters.By studying the characteristics of the painting language of the contemporary new style of meticulous flower and bird paintings,the paper emphasizes that the new language features are superior to the traditional age and inclusiveness,and explains the potential problems of the new characteristics after the transmutation.Put forward in the contemporary meticulous flowers and birds creation,only to ensure that the followingThe aesthetic connotation and the characteristics of painting language,which are of remarkable national characteristics in traditional flower and bird paintings,and the theory of blending with the contemporary global open aesthetic culture,can guide contemporary brushwork to create more works which conform to the spirit of Chinese traditional art and represent the spirit of the present times.