On The Performing Characteristic Of Pre-qin And Han Dynasty Poetry

The main difference between Pre-Qin and Han dynasty poems from fellow dynasty poems is that it is not be in paper form of written but by singing to handed down. So it with today's paper form distinct difference there. The different modes of literature transmission influence on the existence of the Pre-Qin and Han dynasty poetry. This paper mainly study on the performance of Pre-Qin and Han dynasty poetry. The Book of Songs is the first Chinese compilation of songs and poems. In it there are three ways performance:" single singing " and "_duet", mainly in Guo Feng part, it is a special way for expressing ancestors'affections; the odes percussion sing and Fu of banquet poems, because Zhou dynasty based on the culture of social rites, and both the rulers of making sacrifices to ancestors is still top of the things, they were entertained and sing the score of odes to the spread as an important means, even remain to Spring and Autumn Period. and in a cabaret, in the Book of Songs some of the poetry in case of enjoyment of the lyric, or of making sacrifices to ancestors in the cabaret large, these are the odes form a show. The rosy Multi-colors elegies of Chu is born in the south of China at Warring States Period, the performance with the odes has succeeded in neither and took on a new feature. Firstly, the performance changed, music accompany change to Fu and Song. The reason is that Chu Ci has the unique feature, so it was the case decided to use Fu and Song. Secondly, Chu Ci adapt to use single singing (except Jiu Ge), and in singing need someone to impersonate the different tone, and markedly enhanced its performing. Thirdly, it is about the singing and dancing on Jiu Ge. Clearly the performance of Jiu Ge in the system is far more than the odes in the cabaret. To the Hanyuefu Folk Songs there are three ways of performance.First, Rap, mainly use the rap in the XiangHe songs, on the form, represents the Chinese musical conservatory entertainment. Second, Speech as a musical accompaniment of the programmed gender performance, with the odes and the Hanyuefu Folk Songs and Chu Ci, the performance of certain formulae, the mainstream Chinese musical conservatory of the music was the Han music conservatory grew translations. Third, the performance of the worship poems in the Hanyuefu Folk Songs. The system more sophisticated, and slowly toward the importance of performing the neglect of the narrative of ritualistic stylized and the direction of development. In short, the performance of the Hanyuefu Folk Songs by acting as a way compared witn the performance of the Book of Songs and the performance of Chu Ci is comprehensive developed and has more innovation, and has assumed new unique style.This thesis consists five parts, Introduction, Conclusion and, the main body, chapter one to three.Introduction:first determine the contents of the research and analysis in this field of study, to declare the value and significance of this paper.The first chapter:The first chapter of odes performance is divided into three sections. The first section, " single singing " and "_duet". The second section, the odes percussion sing and Fu of banquet poems. The third section, the singing and dancing on the Book of Songs.The second chapter:the performance ways of Chu Ci have three sections. The first section, the changes from Music concert to the Fu performance. The second section, the performance "of single singing. The third section, the singing and dancing performance of Jjiu Ge.The third chapter:the ways of performance of Hanyuefu Folk Songs have three sections also. The first section, the speculation on the characteristics of Hanyuefu Folk Songs and rap performance way. The second section, the programmed performance with musical accompaniment. The third section, the performance of singing and dancing on the worship in the Hanyuefu Folk Songs.Conclusion:The summary.