The Introduction And Analysis Of Johannes Maria Staud And His Piano Work Bewegungen

The late 20th century, due to. the rapid development of science and technology, the unprecedented scale of industrialization and modernization and expansion, new ideas, the pursuit, lifestyle and value of work and other aspects of life has been seriously challenged. This is in response to music is the language for the new materials, new understanding and techniques to pursue the idea. At the same time, in the form of self-discipline of music by the composer more attention and esteem, they gave up the thoughts and feelings of music.They considered the music as pure music, games, and is no longer a communication tool with the audience. King of the piano as a musical instrument in the history of musical development at every stage occupies an extremely important position. In particular, since the Baroque, nearly every composer masters is committed to the creation of the piano music in the innovation. The 20th century, the piano as a testing ground for modern music features fully apparent. Austrian composer Johannes Maria Staud (1974-)'s piano works "movement" Bewegungen is created in this period.Austrian composer Johannes Maria Staud was born on August Innsbruck at 1974. He had studed composition in the Austrian and Berlin, and then creared in London. During he studed In school and after graduation, he created a lot of great music composition.Has won various awards at home and abroad. His music is known around the world in major music group performances. So far, he has built a solid international career, including as the U.S. Tanglewood Music Center composer often invited guest to the United States. He traveled through many countries and cities, different places can give him a different creative inspiration.But he did not deliberately change their writing style, he still was a Austrian composer. Staud did not deliberately applied to win his audience on the active pursuit of his work, but by loyalty to their faith in the arts. His works Bewegungen for piano solo with the particular forms of music expressed the society, nature and life Staud living in. Music in the movement and the conflicts is the movement and conflict of the society. Caused by the movement's strong, conflict and anxiety effects of this work is the special use of music materials. Works out of the shackles of tonality, but there is still the principle of transfer, which is to support the existence of sound. And sound way, the large use of almost seven times throughout the whole work, this is not the feeling throughout the Union are not prepared, no solution appeared, giving the cause unease. Rhythm is also used by the complexity of modern music rhythm type, which increases the performance of the music. Strength on the work force compared with the overall strength of the local work quickly converted to bring a strong sense of conflict. Work in the structure, although out of the traditional musical structure, but still can be divided into two major parts, and a material used to form the first part of the long end.This is the first in the practice of contemporary piano works, many of the problems previously not encountered before. For example:the beat is the most headaches. In this piece, in almost every section of tempo change, even in many sections will also appear within the tempo changes. For example, the 4/2,3/2,5/4, 7/8 beat can be converted into 8/4,6/4,5/4,3/4+1/8 exercises. And, for a long time if not handled properly the air will give the film an awkward sense of musical stagnation. This requires ending the music playing when the state can not relax. In addition, this piece there is a very strong intensity contrast, the strongest place to sfff, and weakest at the end was ppppp. In dealing with this piece, we should like the experiment as repeated scrutiny, such as the damper pedal can be used to help to achieve the best results.