Master Of Pen And Ink Road

On the basis of inheriting Chinese traditional graphical art and thought of the quintessence of Chinese culture, Huang Binhong was good at summarizing and refining, boldly blazing new trails and forming the way of "five strokes and seven inks". So as to explore constantly the landscape painting Artistic condition and created the new artistic conception, he achieved his own unique" black and thick and deep and serious" painting style and aesthetics of " simple and honest spurt " pursue. This paper does comparatively detailed study on this. It is made up of three parts: introduction, the main body and conclusion, among them the main body includes three chapters. It describes sketches, purpose and method, forefathers'achievement, theory meaning and practical value, etc.. Chapter one explores the course of Huang binhong's learning from his predecessors and nature, and his innovating traditional pen and ink practice. Huang Binhong thought that coping predecessor's works should choose strictly and persist enduringly, imitate time and again, to make it to be alive and finally to the understanding. Moreover, one should innovate tradition and create himself. Chapter two focuses to explore Huang Binhong "five pens and seven inks ". On the basis of epigraphy, Huang Binhong advocated that calligraphy and painting should be homologous. And he summarized traditional way of calligraphy writing, such as, running script, cursive, seal and character, to be level, reminded, round, repeated and then changed. On the basis of his predecessors, he carded and generalized the blot analysis into thick ink, light ink, broken ink, accumulated ink, splashed ink, coked ink, bright ink" seven types. What's more, based on skills of how to use pen and ink, he originally created the style of "painting by pointing" to display the feeling of melting with mountains and rivers and integrating with universe, thus transmitting to common people his spirit of universe in black". Chapter three reveals that Huang Binhong's painting aesthetic thought came from Lao Shang, based on " a heart of Dao" he treated" valuing changing "as his following thought in artistic career. Huang Binhong held that painting should strive to pursue" inside beauty" and not the outside look. He explored metal and stone seal cutting and led it into the landscape painting to seek "the image of mountains and rivers moistures by the spring rain ". The conclusion explains Huang Binhong took root in traditional art and was proved in practice, weeding out the old and bringing forth the new and gained achievements of comprehensive expression in using pen and ink and achieved the transformation to the modern.