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Graphic Design Language Study Based On The Cognitive Psychology

Posted on:2013-02-06Degree:MasterType:Thesis
Country:ChinaCandidate:L TianFull Text:PDF
GTID:2215330371987754Subject:Art of Design
Abstract/Summary:PDF Full Text Request
Fabric performance is the most common modern art visual phenomena. Texture is widely promotion and application, is a contemporary art in a platform on a plurality of exploration results, in the field of art, texture, material and technique of expression product of the combination, is an author according to their aesthetic orientation and image characteristics of feelings, using different materials, using different tools and performance skills to create a kind of image structure and texture. In nature, any surface has its particular texture changes, this particular texture changes the magical visual feeling, is the art of painting to explore the texture effect. Texture is a kind of special artistic material carrier. Ink is the traditional Chinese philosophy is inseparable, ink painting is a Chinese traditional philosophy of visual expression, ink art language in traditional Chinese culture is a kind of symbolic language, it is the story of Chinese on the feeling of soul, it is Chinese world outlook, philosophy and history and the aesthetic taste of embodiment. Chinese ink painting is the main body of ink. It with the western painting is not realistic contour to manacle, make soft style of poetic. Brushwork of frustration, ink form interest have implied a respective ink context, it pays attention to shape the thinking characteristics of extension of meaning, with gas, potential, rhyme, to show the Chinese scholar style and mood, as well as the ink art" between like and do not like" the pursuit of aesthetics.In the existing ink painting art, the art of Chinese ink and wash the skilled use of our work, we must fill the mastering the art of Chinese ink and cultural connotation and the spiritual connotation, must have a certain tradition of art and culture, can be in the form of language and composition reflect oriental culture aesthetic concept. In the absence of any Chinese painting foundation case, want to use the art of Chinese ink and wash style style is very difficult. Especially in the popularization of the computer application in modern design, focus only on the computer manufacture and modification, for ink, nature, nature, or shape features exquisite brushwork destruction is fatal. For example, the font is generally used in the font, the script, script and seal character and ancient and modern calligraphy calligraphy etc.. In the ink design can also be considered as a large area space, as a Chinese painting with white when the black aesthetic realm, it is also one of the forms of Chinese ink culture. Painting Chinese painting as a kind, have several thousand years of development history, reflects the broad and profound Chinese culture. Ink and wash painting emphasizes the nature, embodies a" harmony" thinking, in line with the development of modern society" harmonious" theme, the theme of the times is the expression of main elements. Ink and wash painting unique artistic language, caused the attention of modern designer. At present a large number of foreign culture flocked in, we should consider how to be exotic new ideas, new concept into our own works of graphic design, and strive to further renew ideas, actively the forefront of integration of Arts and culture, to create unique personality. As a contemporary graphic designer, we should strive to understand, be familiar with, master new emerging creative dynamic, in our works of graphic design, and strive to make ink visual language to convey new aesthetic information and the cultural connotation. Very good to show the essence of Chinese culture.From the above case we see not hard ink texture case in contemporary design in the combination, you, me, and Chinese ink painting texture also broadened the scope and field of contemporary design, in the next few decades ink texture will also design everfount material database.The main work and innovation are as follows:First,The ink and traditional Chinese painting concept analysis, summary of traditional Chinese painting and the characteristic of water, from the epistemology of Chinese ink painting texture features, explore the ink texture change, development and evolution of modern painting, texture feature, readily available to Chinese ink as the center of the fabric art.Second, Positive combined with practice, to create a unique new form of painting art, and give the inheritance and the basis to give more innovative forms of inquiry.For example, experimental wash painting, for art history perspective, and gradually deep into the daily life of social phenomenon and cultural issues.In the Chinese culture and art the traditional source contributing, but natural and traditional Chinese literati painting regular fracture. Third, Combination of plane design, excavation ink texture elements, the Western Impressionist and post modern painting and traditional Chinese painting art of combining, the East-West harmonious spiritual mastery.Chinese ink painting texture also broadened the scope and field of contemporary design, in the decades ahead will also be everfount ink texture design resource library.The last, Ink art bearing the Chinese brilliant culture, it as the observation and expression of the world in a unique way, permeating in Chinese blood.The article in the last part with graphic design classic examples, examples of ink art vitality and artistic rendering power.
Keywords/Search Tags:Ink, texture, contemporary, Plane of contemporary graphicdesign
PDF Full Text Request
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