Variation And Harmony

Liu zhenyun is of great position and particular significance in modern literary. Molo used to evaluate liu zhenyun as a great writer. From the "Tapu" to the "Yiju ding yiwanju", the literary artistic creation of Liu zhenyun presented sufficient varieties, showing the height and depth of the thoughts of an unique Chinese contemporary authors of literary significance. From the new written solid work will go to new historical novels representative figures, from thedescription of the daily life to the extenssion of the memory of the hometown and history, from the philosophical deeply-think to the daily life, despite liu zhenyun was always on the different forms of exploration, Liu zhenyun always kept his civil position. His literary works have always adhered to start from the portrayal of daily life, by using the ordinary life to show the the heteromorphosis of humanity and their spirit which under the weight of power. This concern for daily life of the debris has experienced depict-stretching-recurrence. The article starts from the daily life of Liu zhenyun, and reference to all of his representative works, trying to search his invariable stand and mental characteristics of folk.Charpter1. Analyze that Liu zhenyun's description of daily life of and the criticism of power in official circles. Liu zhenyun's early works mostly depended on the reality, getting material form the daily life. With a pungent satire on the power, he experienced the conversion from a observer to a repudiator.Charpter2. Analyze that Liu zhenyun's writing extension of the daily life and the diversification of writing of the historical spirits. Having passed the period of depicting the criticism of the real power, his composition became mostly depends on the ideality. In this period, Liu zhenyun paid his attention to the fantastic hometown, trying to uncover the fake mask of the history, return to the original condition or shape of the history for the audience and readers.Charpter3. with the keyword of "ridicule; query; anxiety", inquire into the three different mentalities of Liu zhenyun, after his returning of the daily life. Liu zhenyun insisted on holding the folk position, and insisted on caring about the spiritual sufferings of the citizens. In the tide of the marketization of the literature, he parted from his variety exploration of creation, getting down to the original. This kind of original is an attitude approaching the real life again, which was still full of the worrying and anxiety of the author, towards the true life. His general statements of the spiritual issues of the civil people shows the unique foresight and vivid thoughts of Liu zhenyun as a great writer.