Theory Of Liu Zhenyun Daily Beauty Of The Novel

Contemporary Chinese writers, Liu Zhenyun is a play a decisive role. Early in the literary world cut astriking figure, and later with the "tower shop" published the rise to fame, the years of his creation in closeconnection with the current popular entertainment spirit requirements, also attracted many people’sattention. Last year he launched a new "I am not Pan Jinlian", access to many readers. A key factor in LiuZhenyun’s success is his insist on writing for the people, he through the description of daily life, somepeople in the ideal and reality of a realistic compromise and eventually leads to the alienation of humannature, reflecting mankind facing survival predicament, to decide on what path to follow the humanthinking. At the same time, he went to a language, cruel mockery and Deconstruction of history, to thepeople this life to alert. He inherited since five four "people’s Literature" tradition, and at the same time,constantly attempt in novel creation in Chinese literary circles, because he is a successor and improvers.Whether inherited or development, the author firmly uphold the people writing this position, he this uniquecivilian perspective makes the works have a strong critical, showing a writing a daily and daily beauty. Thisthesis takes this as a starting point, in order to better understand the value and significance of LiuZhenyun’s novels.This paper mainly uses the theory of existentialism, literature, psychology, using the method of text,on the following aspects of Liu Zhenyun’s novel creation daily beauty:This dissertation is composed of three parts.The first chapter mainly to comment on Liu Zhenyun’s novels. From the early days of Liu Zhenyun’sworks until now, it has gone through three stages, the beginning of the works are still some warmth, then hewill look to the daily life of the miscellaneous and helpless to write small figures, which has involved somecool thinking. Interim he some writing test,"joking""irony" throughout this period of creation, to hishistorical deconstruction and ridicule. In recent years, his works and TV drama closely, to cater to the massconsumer requirements. The present review on Liu Zhenyun’s novels can be divided into three differentresearch perspective, respectively, using the theme theory, language and narrative of irony.The second chapter is the focus of this article, this chapter mainly expounds Liu Zhenyun’s novels reflect the daily beauty, mainly from the aspects of language, narrative structure, etc. to study using the textanalysis method. The language of the novel is a colloquial, and he works in the secular, irony, parodylanguage features, various features are intertwined, and written language at the same time, also revealedthat the current "communication" this problem. Narrative beauty novels mainly from the narrative theory,structure, narrative style and works depicting scenes are discussed. At the end of Liu Zhenyun’s "I am notPan Jinlian" be analysis.The third chapter significance of Liu Zhenyun’s fictions. It is Liu Zhenyun’s populace writing position,as well as the relentless criticism of national character. At the same time, the author in the face of doubledenial of city and countryside, calm thinking people decide on what path to follow, for human expressedhumanism huge.