The Study Of The Style Of Jiangkui's Self-created Qu

At the beginning of Qianlong, the manuscript of Baishisongs>, which was created by Taozongyi at endof Yuan dynasty, was found. Since then, scholars have made explanations and studied about the music scoreof the song. And this essay is principally about the edition of the spectrum and the study in words andmusic. Firstly, the edition of the spectrum takes Zhangyishu's as the guideline. Secondly, the study in wordsand music mainly summarizes in three points, namely: the role of the preface, characters of words andanalysis of the noumenon. When Jiangkui was in his20s,he lived in both Yangzhou and Hefei, and residedin the Jianghuai area. He was well known for his talents in music. Jiangkui was not only a famous poet inNansong dynasty, but also a man skilled at mode and playing the Xiao and having creation that was handeddown.As a famous musician in Nansong dynasty, his works not only represents the developing level of thattime, but also reliable and necessary materials to know about the musical characters of Song dynasty, whichis quite valuable.We had a good knowledge of the characters of Jiangkui's creation style in word order words and tuneof a song according to the analysis of his14songs in the second chapter. and it is summarized asfollows:Jiangkui loves word order very much. Among his14songs,<autumn night bard is the only one thatnot uses word order. His works has a qualitative leap and has a profound effect on later generations. Hisword order serves as a link between past and future, having a significant meaning in history. Jiangkui isboth skilled at poet and word. His word is concise with simple words and delicate emotion, mainly showinga elegant and clear disposition. In the part of tune, Baishi put emphasis on the combination of rhythm,namely the complex between music and words, reaching the effect of music and word harmony. In theadjusted key areas, Baishi's self-created tune follows the principle of up after the song, but it is not all inthe same way when put to use, because the treatment has something to do with its structure length.in theaspect of music scale, in Baishi's every mode, the most frequently used sound is the main adjusted tonic. Inrhythm and beat, Baishi's works is mainly beat of rhythmicity and mostly by string method. In structure, heall uses the "two sections of body structure", including head exchange, end stop, variation and comparison.In melody technique, Baishi's songs are multiplied in tune, having continious uplink and descending scaletype, also arp continuous jumps and big jumps. In cadence, mainly the tonic and its up and down links. In songwriter collocation, he urges on the collocation between words and tunes. By summing up, we see nothard Jiang Kui since the degree of the song 's music style characteristics, namely, inheritance andinnovation sex, aestheticism, self.His self–created songs are not only a reliable proof in old music in our country, even now, it hasvaluable meaning in historic study and practical sense.