Southeast Guizhou Miao The Bullfighting Culture Studies,

Nowadays,there are two main kinds of bullfight in the world, one of which isSpanish's bullfight ,as a representative form of Western's, the other is represented bysome ethnic groups' Eastern Bull in southwest China. Western Bull fighting is mainlybetween man and cattle. Bullfighting is the country's traditional culture in Spain,which is known as Spain's national essence. The East Bull fighting is mainly cattleand cattle, which abounds with breathtaking scenes of a major impact in the society. Itis loved by the Hmong, Dong, Buyi, Zhuang, Han and other ethnic minorities. AndHmong culture of bullfighting is the most popular and in-depth.Hmong bullfight culture is a reflection of Hmong people's spiritual world,certainly its inherent historical and cultural content and the value function played akey role immeasurable in shaping the personality characteristics of the Miao, whileHmong bullfight culture also will promote regional social, economic and culturaldevelopment. Hmong bullfight culture is a invaluable wealth of Hmong people. It isworth celebrating that bullfight of Shibing Kaili and Kaiyang were included in thethird installment of Folk category at the provincial level intangible cultural heritage in2009,which confirms the influence and value of Hmong bullfight culture in HmongCommunity. It can be said that it is not only the Hmong's cultural heritage but also thecultural heritage of China and the world, which need better protection anddevelopment.Paper can be divided into five parts, the introduction part elaborates thereason,significance, the article subject, main content, research value, the theory,research methods and other aspects based on the review of history of HmongBullfight.The trunk contains description,analysis and research of Hmong culture ofbullfight based on field surveys. The first part is the analysis of the investigation ofthe environment and performanceHmong of bullfight culture in Southeast Guizhou,including the natural environment, social and historical backgrounds, cultural actualperformance, cultural changes, cultural comparison, in order to look into the survivalspace of Hmong bullfight culture and the close relation to the local culturalphenomenon; The second part is the analysis of Hmong bullfight culture , from thecultural status, cultural function and cultural connotation, intended to further highlightthe value and meaning of Hmong bullfight culture in the real world; The fourth partexplore the methods of protection and development of bullfight culture by discussingthe cultural values and current development of Qiandongnan Hmong bullfight.Conclusion mainly respond the culture expression of the whole bullfight culture andgrasp the development prospects generally.