Confrontation With The Time , Return The Imagination

"Nostalgia"is common in daily life psychological phenomenon, but also the enduring works of literature and art and aesthetics of traditional narration. Nostalgia, as a emotional, perceptual, experiential, thought-style aesthetic experience, always point to the good of human contact with the past. "Nostalgia ", mainly in the social transition period, the concept of production in the late 19th century, flourished in the late 20th century. 80 20th century China, it is the starting point of a new era, by the social transformation and globalization of the catalytic impact of nostalgia and cultural context of an increasingly prosperous. Cultural nostalgia, nostalgic film as the main spirit manifested in the Chinese mainland and Hong Kong, the film set off a new wave of nostalgia.This article aims to 20th century China after 80 years the background of social transition to the 20th century, since the 80’s targeting the Chinese mainland and Hong Kong, the film works created for the main-depth study of nostalgia. From the perspective of ontology to look 80 years since the 20th century, the Chinese mainland and Hong Kong film "Nostalgia " consciousness, to grasp the ideology from the concept shown, and it formed the "nostalgia of the United States " very style. Thus, the focus of this paper is to start from the psychology of art, aesthetic point of view of psychology as a reference to the phenomenon of aesthetic theory as a framework to study the film works of art in perspective, "nostalgia"phenomenon. Reveal the "nostalgia" act as a mechanism for the phenomenon of the inner emotional and psychological base, and brought the phenomenon of "nostalgia " great cultural meaning of aesthetic characteristics. China nostalgic film of the background produced and directed the original intention of creation, the narrative theme of the film analysis nostalgic and aesthetic implications, and to reflect on the quality of its culture.