The Chinese Figure Painting Modelling Of Sexual Factors

Now, realistic modelling for us nothing strange, our many years of painting training and research centers around realistic modelling in developing, from my painting play now painting practice are fully feel realistic modelling the charisma. Realistic painting in the history of world painting over hundreds of years, and continuing until now, visible realistic formative importance of. As western realistic painting in domestic, realistically the spread of Chinese figure painting developed arose, and came to contemporary realism Chinese figure painting more prosperous, gradually formed the mainstream of Chinese figure painting style, this is we see. Chinese figure painting realistically with strong expressive and abundant techniques language, special aesthetic system etc make it long long, many artists is generous in life energy after it. With the deepening of the research, I found realism is not just chien representation realistic, i.e. not simply to mimic a objective object, but the objective object summary and refining, and give the painter’s aesthetic spirit, in shape write god, finally achieved "lively", this is the realistic essence of Chinese paintings. However sexual factors are not in modern Chinese figure painting CaiJu some, it imply the whole development in Chinese figure painting of the process. In each historical time in different degree and playing it in painting face the important modelling effect. Therefore, a careful study of sexual factors of realistic existence value, Chinese figure painting development has a very important practical significance. This paper discussed in chapter four. The first chapter paper reveals the basic knowledge and essential content factors, The second chapter to Chinese figure painting reveals the basic morphological and development factors make detailed elaboration; The third chapter through formal language to research reveals factors on the role of Chinese painting, The fourth chapter to sexual factors in the practice of Chinese painting and prospects were discussed.