The Performance Of Contemporary Chinese Language And Color Picture Materials Research

Meticulous color Picture is the primary state of Chinese painting, in its formation, development, maturity, change the formation of long years of Western painting a completely different aesthetic point of view, orientation and performance practices of aesthetic art system. "The color" is a language in the form of Chinese painting, it is easy to put it simply as a form of painting materials and conversion, and some even directed this Japanese painting in China. Modern color Picture undeniable multi-cultural crossroads in the collision was given a new opportunity for development and progress, but its nature is back up the great tradition of Chinese art, history and brilliant achievements of the Han and Tang painting itself.This article to the contemporary Chinese color paintings of language and materials made a series of attempts to sort out the analysis.This paper describes the first part of the main language of the traditional Chinese color Picture performance and material usage. Heavy color painting tradition of Color, in the ancient folk art, the Dunhuang murals, green landscapes and other art works has its own unique approach.As the Han dynasty like black red color and visual tension. The Tang Dynasty likes, resplendent in gold and jade green, the mayflower glorybower splendidly is greatly green, has the noble brilliant beauty.After the Song Ming and Qing, due to the aesthetic taste of paintings, elegant light coloration, mainly in black and white two colors, use red and light green, light reddish brown anthocyanin swipe.But in the drawing form aspect, the mural, the folk art color is strong, decoration feeling, the reel drawing hastens elegantly simple.The second part searched with emphasis has analyzed under the contemporary culture linguistic environment the Chinese heavy color painting development and the overseas drawing style and the material utilization the influence which the heavy color painting brought for China.The heavy color painting has experienced its production development and the decline in the historical perpetual flow.However, in the early 20th century has seen a love of the color paintings, but for various reasons, the color paintings are still not out of the valley. Until the eighties, in the modern culture and the impact of new aesthetic ideas, the color Picture Arts finally broaden their horizons, open and inclusive aptitude to learn various kinds of painting on a variety of new techniques, new materials and the contents of the screen in the form of a wide range of to explore and try. Color Picture finally regained a strong vitality in the contemporary art on the formation of a new wave of drawing power, it is refreshing.Discusses the Chinese modern heavy color painting through the case analysis the material and the language performance.The third part focuses on analysis and appraisal of changes in material aspects of modern Chinese painting materials and techniques to bring a new performance.. The modern serious wound drawing in the material use aspect, had a bigger development compared to the traditional painting of a scholar.In the tradition of ink painting materials such as brush, rice paper, silk, etc., based on the increased variety of cotton, linen, wood made the artist a variety of special texture of the rice paper, etc.;In the paint used in traditional Chinese painting pigments basis, an increase of propylene, powder, watercolors,minerals, gold, silver, bright color, and so on. As long as the artist paints used in the creation of images in the play a good aesthetic effect, are not bound to use.In addition, the use of materials, techniques, the inherited tradition of meticulous, colorful blooming law, and work with writing, mural hooks fill method, but also created many new techniques, such as crumpled paper method, care ink, positive and negative gradation method, rubbing method, splash of color method.Arts development requires a process of change, this process includes the concept of change and the art of painting the actual language of exploration and accumulation. Manifestations of modern Heavy color Picture series of changes have taken place, built with the aesthetics of contemporary art, to adapt the color, material and texture of the new aesthetic experience of visual art. Has allowed us to break through the traditional production mode and the ink form the performance-oriented framework to develop and extend the performance of contemporary Chinese painting new ways to enrich the language of contemporary visual art form that is more suitable for the expression of art reflects the times spirit and to promote international exchange of contemporary life. Color from the color to the rock material transfer catalyst for a contemporary Chinese painting in the creative concept, aesthetic aspects of the pursuit of beauty and form of the new changes, and enhance the visual impact of modern art, to speed up the formulation of Chinese painting from the traditional to the contemporary manifestations of the transformation process.