The Research Of Zheng Xuan’s Poetics

"The book of songs", is one of the important fields in China’s ancient literaturelearning. Especially in the pre-Qin era, it was to become an indispensable part ofConfucianism. Zheng’s poetics established under the reign of the era of the Confucianethos in the Han dynasty, by inheritance to the academic of Confucianism andConfucian before, with "The poetry sequence ","MaoChuan","The Book ofChanges", and ChenWei learns in the eastern Han dynasty in his poetics system, heformed the unique value orientation which etiquette music is the core value oferadicating and poetics explaining theory construction. The statement&harmonyideology of "the poetry sequence ","MaoChuan", and his original in conceptionaggrandizement, JunJun minister minister father son of father and son of eradicatingthe final interpretation of the poetics, formed the distinctive characteristics of hispoetics in Confucian thought which was the core value orientation.Zheng’s poetic deeply branded with the Han dynasty Confucianism in real musicculture of politics and the current state of existence of people as the fundamentalvalue pursuit of the mark. His poetic extensively draw the academic elites of the Handynasty the Five Classics and ChenWei inclusive, multi-methods and intent of theConfucianism in for, the Confucian advocates of highly ritual and music order,formed the poetics of clearly fresh flags and value orientation. This was also toassume the responsibility of the Confucian due attitude.Zheng’s poetics value orientation of ideology in ritual and music, was theinevitable result of Confucius, Xun Zi han Confucianism in the age of the Springand Autumn and warring States, and the music theory as Mr Music culture of theconstruction of the "music" which was the main materials. It was constantlystrengthened and institutionalized in the ideology of ritual and music, makes thegradient of music theory to the "ritual" theory. So this made the subsidiary of theideology of "character" which belonged to music this article has discussed, developed ;with obvious political utility and the nature of literary theory of poetic theory.Although this kind of poetic theory was not "conscious". Therefore, that theConfucian had no real sense of poetic literature theory. And even to Confucianism inthe Han dynasty, though the history theory put forward relevant category, but nospecific and poetic creation was directly related to the connotation. ZhengXuan’spoetics took ritual and music as its core value pursue on the road toward full summary.In the interpretation of "The book of songs" and "the poetry sequence ", his poetictheory has gradually turned into the category of the "character". Also was "poem" textcontent and form of writing itself, given the poetic theory category the nature of theliterary theory connotation. This objectively contributed to trend of the separationbetween literature theory ritual and music in the pre-Qin Han dynasty. ZhengXuan’sinheritation and deepening of the related theory in Han dynasty in his poetic theory,shows us the course of the generation history of the ancient literature theory. It tells us,the origination of literary theories of poetics in the pre-Qin and Han dynasty, was notart or religious, but ritual and music culture form, which contain both art and religious.It is by-products of ritual and music culture.